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Friday, 1 May 2015

Tangerine Trailer: The Sundance Sensation Shot With iPhones

One of the movies receiving a lot of buzz at the Sundance Film Festival this year was Sean Baker‘s Tangerine. Initial word spread around when the Next program selection was revealed to have been shot entirely with iPhone cameras, specifically from three 5s models. Then critical reaction to the comedy, about a transgender sex worker navigating the streets of Los Angeles looking for her cheating boyfriend on Christmas Eve, was mostly very positive, as you can see from the noteworthy blurbs from the New York Times, Village Voice and Buzzfeed used in this first Red Band trailer.

We didn’t post a review here at FSR during the fest, but our own Neil Miller was not one of its many fans. He gave Tangerine only 1/2 star on Letterboxd, writing that it was “too aggro … the cinematic equivalent of being screamed at for 90 minutes.” FSR contributor Dan Schindel, writing for Movie Mezzanine, admitted that “this is a shrill movie” and “can be a bit much to take at times,” but he ultimately praises “the ragged humanity that pulses through this film” and calls it “a messy romp and ridiculously fun.”

Trans actors Kitana Kiki Rodriguez and Mya Taylor star as the cheated-on prostituted and her friend, and they look like an absolute riot here (James Ransone plays the cheater). From the trailer, Tangerine looks rather low-budget at times but it also looks like it has the spirit and raw energy that we rarely see from American indie cinema, especially at Sundance, these days. And I’m assuming the soundtrack of the movie is as pumping as it seems, once again proving that indies most easily transcend their visual quality through the use of music, particularly tunes with far greater production value.

Tangerine hits theaters as one of this summer’s many great non-blockbuster releases on July 10th.

Watch the Green Band version of the trailer here. And check out the official synopsis:

It’s Christmas Eve in Tinseltown and Sin-Dee (newcomer Kitana Kiki Rodriguez) is back on the block. Upon hearing that her pimp boyfriend (James Ransone, STARLET, “Generation Kill”) hasn’t been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra (newcomer Mya Taylor), embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity. Director Sean Baker’s prior films (STARLET, PRINCE OF BROADWAY) brought rich texture and intimate detail to worlds seldom seen on film. TANGERINE follows suit, bursting off the screen with energy and style. A decidedly modern Christmas tale told on the streets of L.A., TANGERINE defies expectation at every turn.

"Tangerine Trailer: The Sundance Sensation Shot With iPhones" was originally published on Film School Rejects for our wonderful readers to enjoy. It is not intended to be reproduced on other websites. If you aren't reading this in your favorite RSS reader or on Film School Rejects, you're being bamboozled. We hope you'll come find us and enjoy the best articles about movies, television and culture right from the source.

Watch: First Trailer for Creepy Sleep Paralysis Doc 'The Nightmare'

The Nightmare

"It's a kind of horror that is worse than like in the movies." One of the most terrifying films of the year won't be a horror film that Hollywood cooked up with jump scares, it will be a documentary called The Nightmare. The director of Room 237 has turned his camera on subjects who suffer from sleep paralysis, a curious ailment shared by many across the globe, all with similar supernatural horrors and phenomena. This played at Sundance earlier this year, and it's very unnerving and thought provoking. At the same time, there's something about it that feels like it builds up the potential horror for the audience a little too much.

Here's the teaser trailer for Rodney Ascher's The Nightmare, originally from Apple:

The Nightmare

The Nightmare is directed by Rodney Ascher (Roomy 237). You are very tired. The pillow is soft. It’s late at night, and you start to drift off in your bed. Snap—your body locks up, totally frozen. But you are not asleep. You can see and hear everything. That’s when the shadow men come. In this documentary film, we experience the terror that a surprisingly large number of people suffer when they find themselves trapped between the sleeping and waking worlds every night. What should be explained by science gets complicated as sufferers from random backgrounds have very similar visions. The film hits VOD & theaters June 5th.

Here's Why You Won't Be Seeing Loki in 'The Avengers: Age of Ultron'

Loki

You might remember last fall that Idris Elba let slip that he and Tom Hiddleston were going to pop up in The Avengers: Age of Ultron. However, for those of us who saw the early showings of the movie last night around the United States, we noticed a distinct lack of Loki in the film, though Elba's character Heimdall does get some brief screentime. Well, Elba wasn't lying about Hiddleston shooting stuff for the Marvel sequel, but it turns out the scene they shot just didn't work in the final cut. Joss Whedon was asked about the lack of Loki in the final cut of Age of Ultron, and he told MTV why the decision was made.

Here's what Whedon told MTV about the scene not making the cut:

"We did shoot something and it didn’t play. The movie has so much, is so filled and we didn’t want it to feel overstuffed. I really wanted to have Loki in it but I understood the decision, that it was just like, ‘Now there are too many voices in the chorus.’ At some point the embarrassment of riches is actually embarrassing."

It's easy to tell where Loki would have come into play once you see Age of Ultron, but like Whedon says, it likely would have been too much in an already packed sequel. Plus, we're sure Loki will get plenty of screentime when Thor: Ragnarok comes around, especially considering how Thor: The Dark World ended. But what about this footage that was cut? Will we ever see it? The best bet would be that it pops up as a deleted scene on the home video release of Age of Ultron, and there have been even been rumblings of an extended cut of the film hitting Blu-Ray and DVD, but we'll have to wait and see. Anyone bummed?

Stanley Film Fest 2015 Opens Strong With the Bloody Laughs of a Re-Jiggered Cooties

Lionsgate

Lionsgate

Fittingly enough, for the first day of the 2015 Stanley Film Fest, my morning began with a scare. I awoke with sunlight streaming through my window, and instantly I knew that I had missed my early morning flight to Colorado. It wasn’t true of course — I just have little experience with sunrise — but it set an appropriate tone for the start of the horror-themed film fest. A second scare came after I boarded the airplane, took a window seat, and then noticed an attendant instruct the man on the aisle to exit the aircraft. Then she placed two signs, one on the aisle seat and one on the middle, saying “Do Not Occupy.” People stared — whether to wonder why I was so special as to get my own row or perhaps what disease I might have brought on board — and even I began to wonder why I was being quarantined. And then a sweet, older couple boarded and were given the two seats that were presumably being held for them.

The point is I made it here without real incident.

This is the Stanley Film Fest‘s third year, and after missing it in 2014 I found myself excited to be back in Estes, CO on Thursday. It’s one of many annual genre film fests, a fairly young one to boot, but what makes it stand out even in its infancy is the location. The Stanley Hotel stands big and impressive against the landscape offering fantastic views in any direction, but its claim to genre fame is as the relative birthplace of Stephen King’s The Shining. It’s also where the novel’s television mini-series adaptation was filmed — and hey look there’s ABC’s The Shining director Mick Garris hanging out in the lobby of the hotel while I check in!

He’s just one of several recognizable faces and talents scheduled to grace these grounds this weekend alongside the likes of Barbara Crampton who’s here with an incredible three films — the world premiere of Sunchoke, a fantastic little slice of horror called We Are Still Here and a repertory screening of Stuart Gordon‘s classic Re-Animator. Gordon himself will also be in attendance and presented this weekend with the fest’s Master of Horror award.

poster COOTIESBut let’s not get ahead of ourselves. Day one only features one film, the opening night film, and that film is Cooties. I first saw this funny and bloody horror romp back in January of 2014, but the filmmakers had reportedly made some changes since then — small tweaking here and there along with an entirely new and somewhat substantial ending.

Tonight was the world premiere of this re-jiggered Cooties, and it’s still a damn funny film punctuated with the joy of seeing animalistic children, cootified by bad chicken nuggets, playing jump-rope with a teacher’s intestines and having their skulls caved in with high-powered baseballs. My review of the film from early last year remains mostly accurate — the ending is new and improved and not at all the cop out it originally was, and while it has its own issues it’s a far more energetic and satisfying denouement this time around.

It’s clearly a comedy first and horror film second, and some of the laughs are surprisingly broad as they near but refuse to cross the line into parody. Elijah Wood, who stars and produced the film, introduced the screening and explained how the original concept was a deadly serious take on the story, and it wasn’t until they brought screenwriter/actor Leigh Whannell onto the project that they realized it should actually be a comedy. Whannell set to work revising the script, and it should surprise no one that he gave himself the most entertaining character and dialogue. As I said back in January 2014:

The film’s most reliable character for laughs though is Whannell’s Doug the science teacher. He offers up a steady stream of one-liners, non-sequiturs and throw away comments, and in the rare instances where one of his bits bomb he gets back on his feet almost immediately. “Word.”

The film is due for theatrical release later this year, and my opinion remains the same. You wouldn’t want to catch cooties, but you should make a point of catching Cooties when it hits theaters.

Friday is the first full day of the fest, and I have plans to see four features. It’s possible that will change as the day goes on though, partly because that’s just how festivals are and partly because I’m hoping to dig deeper into the immersive horror game unfolding over the weekend. I’ve received some odd text messages and seen some strange clues around the hotel grounds, but I’m not yet sure what exactly is going on… so maybe there won’t be a day two at all.

"Stanley Film Fest 2015 Opens Strong With the Bloody Laughs of a Re-Jiggered Cooties" was originally published on Film School Rejects for our wonderful readers to enjoy. It is not intended to be reproduced on other websites. If you aren't reading this in your favorite RSS reader or on Film School Rejects, you're being bamboozled. We hope you'll come find us and enjoy the best articles about movies, television and culture right from the source.

Lionsgate Developing 'Cubed,' a Remake of the Horror Sci-Fi 'Cube'

Cube

It looks like Hollywood may be running out of well-known titles from the past to remake, because now they're reaching into the late 90s for a cult sci-fi horror film for inspiration. THR reports Lionsgate is developing a remake of the 1997 flick Cube. The film is being described as a reimagining of the original film and is going by the title Cubed this time. The first film came from Splice director Vincenzo Natali, but this time it will be up and coming director Saman Kesh behind the camera to update the project for audiences 18 years later. In addition, Prometheus writer Jon Spaihts is on board to produce with Roy Lee. Read on!

If you want to get acquainted with Saman Kesh, here's his acclaimed short Controller:

The new film will use the same premise as the original film with seven strangers finding themselves trapped in a giant cube structure. Soon they come to encounter artificial intelligence and the birth of a new digital race, challenging humanity's existence and purpose. The script comes from Philip Gawthorne (One Day in Hell, Modern Life is Rubbish), working from an original take on the material from Kesh himself. As someone who hasn't seen the original Cube, I can't say whether or not updating this film such a short time after the original is necessary, but these days it doesn't really matter. Thoughts?

Universal Pictures Summons Another Franchise with 'Ouija 2' Coming

Ouija

Briefly: Because a studio just can't refuse to do a sequel to a horror film that made even a little bit of money at the box office, Universal Pictures has announced that Ouija 2 will arrive on October 21st, 2016. The Blumhouse Pictures project was announced yesterday, though there are no details on where the new franchise will go story wise. Platinum Dunes will be back to produce again with Mike Flanagan and Jeff Howard (Oculus) scripting the sequel. There's also no word on whether any of the cast members from the first film, such as Olivia Cooke and Douglas Smith, will be back in any capacity. Stay tuned for more soon.

13 Big Questions Left Unanswered By Avengers: Age of Ultron

Avengers Age of Ultron

Some movies make you scratch your head over plot holes, some movies make you salivate for clues to where a franchise will go, and since Avengers: Age of Ultron is the biggestest, most comic book-y comic book movie ever made, it makes sense that it would make us scratch our heads and salivate at the same time.

Sorry, we have a condition.

Joss Whedon‘s second swan dive into the challenge of impossibility sees Iron Man, Black Widow, Thor, Hawkeye, Hulk and Captain America coming out relatively clean (except for rubble stains), but large portions of it also make exactly zero sense. Or maybe they make sense if you’ve read all the comic books. Or if you watch Agents of SHIELD. It’s hard to say.

Which is why we’re left with these big questions.

1. Why does an AI living in the internet not harm humanity with it?

As soon as Ultron escaped into the internet after fighting with The Avengers at the party they were having for winning a fight, I thought, “We’re doomed.” Why? Because the internet is threaded through everything we need to exist now. A murderous AI taking over the internet is the plot of 99% of murderous AI movies, so it felt like he was handed incredible cosmic power and immediately decided to hang out in an old church instead.

It was nice that he couldn’t get his muscular metal mitts on the nuclear launch codes, but he seemed far more interested in overseeing manufacturing operations than creating a global financial meltdown, destroying national and municipal infrastructure or otherwise incentivizing the worst human behavior (which he uses to justify the extinction of humans, vaguely) to do what it does best. He didn’t even change all the traffic lights to green or anything!

Maybe it’s because worldwide chaos would have actually kept The Avengers busy and off his back while he attempted to drop a city from the sky. Seriously, Hulk killed more people than Ultron did in this movie.

2. Why was The Vision worthy?

Really only asking to answer. There are a lot of people claiming that The Vision can wield Thor’s hammer because of added strength from the Infinity Stone in his forehead, but that’s not what Mjolnir is about. It’s about being worthy to rule Asgard, which requires more than physical strength. The Vision is a pure being (born yesterday!) who wants to fight on the side of all life. That’s what makes him worthy, not some steroidal rock.

That’s just what lets him shoot yellow beams from his head.

3. Was it a good talk?

No, it wasn’t.

4. Why did Thor take an acid bath on the eve of war?

This is one of those deus ex balneum (God from the bathtub) moments where you know it’s something from the comic books that the movie can’t be bothered to explain. You know, a crucial plot point that simply whizzes by without even a throwaway line of exposition. It was the movie waving us off and telling us not to worry about the magic plot-changing cold dip.

The group was divided over whether to instill The Vision with power and personality, and instead of working out that difference, Thor needed to roll to a trippy LSD pond, ride the lightning and make the decision for everyone else.

So…what? What just happened again?

Chris Hemsworth as Shirtless Thor

5. What was with that look between Vision and Scarlet Witch?

Asking this to answer it, too, because we all know what’s up. Sexy time.

6. Does SHIELD not exist anymore?

Like many people who enjoy the Marvel movies, I don’t watch Agents of SHIELD. As such, I don’t know what ground they’re covering canon-wise or where the show exists on the timeline. The biggest question is how the organization would be allowed to exist after the events of Winter Soldier, and clearly Fury has gone underground, but then there he is with an unbelievably large rescue vehicle manned by…volunteers?  

Which leads to a side question: where is all the money for spare helicarriers, state-of-the-art training facilities and ridiculously advanced tech coming from? Solely Tony Stark?

7. Who did Fury get the helicarrier from?

On that same note, Fury rolls in at the last minute to provide an escape for the innocent bystanders and the superheroes on the city-cum-meteor, saying he scored a random helicarrier from an old friend. Who was it?

8. Is Quicksilver really dead?

First of all, this is a Marvel character in a comic book movie. Consider all deaths impermanent, Coulson-style.

Second of all, he’s supposed to have heightened metabolism, which could mean advanced healing (which is kind of the “juice cleanse” of the magic-science comic book movie world).

Third of all, Aaron Taylor-Johnson claimed that he was signed on for multiple movies, which could mean he’s returning or that he was lying during the press rounds to throw us off the scent.

Fourth of all, isn’t there a magic healing pool somewhere?

Quicksilver

9. You didn’t tzee dat comink?

It feels a little dishonest to make a character repeat a catch phrase three times, say one personal mini-monologue and then fill him full of holes, but you have to admire Whedon and the team’s misdirection regarding Hawkeye’s falsely telegraphed demise.

I mean, what real reason did Quicksilver have for saving his life? It’s a true act of sacrifice, and I wonder if it doesn’t send Hawkeye packing for good (unlike Tony who won’t keep his boots hung up long).

10. How many Avengers teams are there now?

The movie ends with Captain America telling the Avengers to Aah–, and we get to see Scarlet Witch, War Machine, Vision and Falcon flash a ready-for-training pose. They’re the new team.

That’s all well and good because Iron Man is driving off into the sunset (again), Hawkeye has a farm to tend to, Thor is investigating off-world and Hulk is flying to save humanity from himself. It’ll be nice to have some fresh faces and see heroes like War Machine and Falcon graduate, but with Ant-Man, Doctor Strange and Spider-Man (and later Black Panther and Captain Marvel) on the way, they’re going to be seeing a lot more applications pretty soon.

Plus, Iron Man and Thor (at least) will definitely be back. And probably Hulk. And, what the hell, Hawkeye too.

Will “The Avengers” be a 12-person team? Will they have separate branches? Will some of them have to move to the west coast? Will they go bowling with the Guardians of the Galaxy?

Dear sweet terror, Infinity War is going to be three times larger than Age of Ultron. How will that even be possible?

11. Oh, and has Thor seen The Guardians of the Galaxy?

After searching for Ken Kesey and learning that The Vision has to be made using spare Paul Bettany parts, Thor mentions that four infinity stones have surfaced in the very recent past, which insinuates that he knows at least something about the events of Guardians. Is he tight with Nova Corps? Where does he get his intel from?

12. How did Thanos get into Asgard?

This mid-credits sequence was one of the most worthless yet, although they’ve been devolving for a while, transforming from important announcements to inside jokes and unnecessary codas.

The only curious thing about finally seeing Thanos get up off his chair is that he’s somehow waltzed right into Odin’s secret lock box to take the glove he needs to combine the rocks which grant near-omnipotency.

Is Loki the obvious link here? He’s currently ruling by pretending to be Odin, so maybe he gave Thanos the keys to the kingdom.

Marvel Studios

13. Will we get to see a three-hour director’s cut?

You have to be the hardest core of apologist to maintain that Thor’s bath time wasn’t one of the laziest storytelling moments of the entire MCU. It’s genuinely baffling that they chose to kept that dialogue sequence secretive instead of using Selvig to explain what the hell was going on, but it’s likely that the original scene was longer and more explanatory because Whedon’s first cut of the movie was an hour longer than it is now.

We’ll undoubtedly see some of the cut scenes in a blu-ray release, but it would be fantastic to see a longer cut of the movie (maybe not the full 3.5 hours) that sheds more light on the truly confusing things that went down in Age of Ultron.

"13 Big Questions Left Unanswered By Avengers: Age of Ultron" was originally published on Film School Rejects for our wonderful readers to enjoy. It is not intended to be reproduced on other websites. If you aren't reading this in your favorite RSS reader or on Film School Rejects, you're being bamboozled. We hope you'll come find us and enjoy the best articles about movies, television and culture right from the source.

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