
The Cannes Film Festival, which just kicked off this Wednesday, is celebrating seventy years of being the preeminent international showcase for the world’s greatest filmmakers. But even the most venerated auteurs have felt the sting of . . .
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[The Daily] Venice 2017: Ai Weiwei’s Human Flow “There are any number of unforgettable images in Ai Weiwei’s Human Flow, the most necessary and comprehensive documentary to date about our planet’s current refugee crisis,” writes IndieWire’s David Ehrlich, “but the most in… Read More
[The Daily] Venice + Toronto 2017: Haigh’s Lean on Pete “British filmmaker Andrew Haigh (Weekend, 45 Years) hits the American highway for this touching, if slightly underwhelming, tale of a troubled boy who strikes up a rapport with an ailing racehorse called Lean on Pete,” begin… Read More
[The Daily] Goings On: Gotta Light? New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around … Read More
This Week on the Criterion Channel A brilliant marriage of classic theatrical technique and early-cinema innovation, Marcel Pagnol’s decades-spanning Marseille Trilogy is the featured edition this week on the Criterion Channel on FilmStruck. This exquisitely … Read More
Repertory Pick: Iconic Brando in Berkeley As part of a Marlon Brando series, the UC Berkeley Art Museum and Pacific Film Archive screens the film that won the actor his first Oscar, Elia Kazan’s On the Waterfront.
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