“Although the word ‘overkill’ can be used to describe practically any of Takashi Miike’s films,” begins Maggie Lee in Variety, “in some ways, the director’s brutal, 2-hour sword-fight fantasy Blade of the Immortal takes the notion to another . . .
[The Daily] Cannes 2017: Takashi Miike’s Blade of the Immortal
“Although the word ‘overkill’ can be used to describe practically any of Takashi Miike’s films,” begins Maggie Lee in Variety, “in some ways, the director’s brutal, 2-hour sword-fight fantasy Blade of the Immortal takes the notion to another . . .
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