Protected: Poetics and interpretation

This content is password protected. To view it please enter your password below:

Password:

Related Posts:

• THE GRAND BUDAPEST HOTEL as fetish object      DB here: Question: Why is the window in the cell door a different shape in different shots? An answer, and other observations, can be found in my video essay included in the new Criterion editio… Read More
• Can the science of mirror neurons explain the power of camera movement? A guest post by Malcolm Turvey 2001: A Space Odyssey (1968). DB here: Over the years we’ve brought you several guest posts from friends whose research we admire. The list includes Matthew Bernstein, Kelley Conway, Leslie Midkiff DeBauche, Eric Dienst… Read More
• Sometimes a swordfight . . . The Valiant Ones (Zhonglie tu, 1975). DB here: . . . makes you sit up. And notice a simple but ingenious cinematic technique. One of the refrains of this blog is: We want to know filmmakers’ secrets, even the secrets they do… Read More
• Back on the book beat Phoenix (Christian Petzold, 2014). DB here: One of my undergrad professors told me: “Bordwell, you have to decide whether you’re going to be a reading man or a writing man.” Professors of the male persuasion talked that way … Read More
• Brains, bodies, and movies: Ways of thinking about the psychology of cinema Summer at Grandpa’s (Hou, 1984). DB here: This is another phantom entry I posted as Private for the seminar I’ve been teaching this term. I’ve opened it up for a wider audience because some readers have written to ask for ac… Read More