Ghost Town Anthology
The titles for the 69th Berlin International Film Festival are being announced in anticipation of the event running February 7-17, 2019. We will update the program as new films are revealed.
COMPETITION
The Ground Beneath My Feet (Marie Kreutzer, Austria)
The Golden Glove (Faith Akin, Germany/France)
By the Grace of God (François Ozon, France)
The Kindness of Strangers (Lone Scherfig, Denmark/Canada)
I Was at Home, but (Angela Schanelec, Germany/Serbia)
A Tale of Three Sisters (Emin Alper, Turkey/Germany/Netherlands/Greece)
Ghost Town Anthology (Denis Côté, Canada)
BERLINALE SPECIAL
Gully Boy (Zoya Akhtar, India)
Brecht (Heinrich Breloer, Germany/Austria)
Watergate (Charles Ferguson, USA)
PANORAMA
Buddies (Arthur J. Bressan Jr., USA, 1985)
Bungalow (Ulrich Köhler, Germany, 2002)
Rebels of the Neon God (Tsai Ming-liang, Taiwan, 1992)
Daddy and the Muscle Academy (Ilppo Pohjola, Finland, 1991)
Lady Chatterley (Pascale Ferran, France/Belgium, 2006)
The Man Who Drove With Mandela (Greta Schillar, UK/South Africa/USA/Netherlands, 1998)
My Life As A Dog (Lasse Hallström, Sweden, 1985)
Mysterion (Pirjo Honkasalo, Finland, 1991)
Savage Nights (Cyril Collard, France/Italy, 1992)
Self-Portrait in 23 Rounds: a Chapter in David Wojnarowicz's Life, 1989–1991 (Marion Scemema, France, 2018)
Split – William to Chrysis; Portrait of a Drag Queen (Ellen Fisher Turk, Andrew Weeks, USA, 1992)
100 Days Before The Command (Khusein Erkenov, Russia, 1990)
The Night (Zhou Hao, China, 2014)
SPECIAL PROGRAMME: PANORAMA 40
The Attendant (Isaac Julien, UK, 1993)
A Bitter Message of Hopeless Grief (Jonathan Reiss, USA, 1988)
Blue Diary (Jenni Olson, USA, 1997)
Fear of Disclosure (Phil Zwickler, David Wojnarowicz, USA, 1989)
The Sound of Fast Relief (Wieland Speck, Germany, 1982)
Girl from Moush (Gariné Torossian, Canada, 1993)
Jean Genet Is Dead (Constantine Giannaris, UK, 1987)
The Making of Monsters (John Greyson, Canada, 1990)
M. A. Numminen Sings Wittgenstein (Claes Olsson, Finland, 1993)
Max (Monika Treut, Germany, 1992)
Welcome to the Dome (Jochen Hick, Germany, 1991)
BERLINALE CLASSICS
Ordet (Carl Theodor Dreyer, Denmark, 1955)
Örökbefogadás (Márta Mészáros, Hungary, 1975)
Die Sieger (Dominik Graf, Germany, 1994)
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