
Opening today at the Film Society of Lincoln Center, Iranian master Abbas Kiarostami’s final film,
24 Frames, is a subtle meditation on time and perception.
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[The Daily] Sundance 2018: Bart Layton’s American Animals “American Animals is nothing if not a movie that arrives at some very simple truths in the hardest way possible,” writes IndieWire’s David Ehrlich. “A slick, well-acted, and intensely self-reflexive docudrama from the direct… Read More
Flashback: The One and Only Saul Turell On what would have been Saul Turell’s ninety-seventh birthday, Peter Cowie celebrates the man who was the beating heart behind Janus Films.
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[The Daily] Dorothy Malone, 1925–2018 “Although the Hollywood star Dorothy Malone, who has died aged ninety-three, appeared in only a handful of works of distinction in a fairly lengthy career, they were good enough to secure her place in film history,” writes R… Read More
[The Daily] Sundance 2018: Babis Makridis’s Pity “In the near-decade since Dogtooth gnawed its way into viewers’ imaginations,” begins Guy Lodge in Variety, “the words ‘Greek comedy’ have come to mean something nearly as distinct as ‘Greek tragedy’ to arthouse audiences—ju… Read More
[The Daily] Sundance 2018: Don’t Worry, He Won’t Get Far on Foot “Twenty years ago,” begins Variety’s Peter Debruge, “Robin Williams approached director Gus Van Sant about developing irreverent Portland cartoonist John Callahan’s memoir, Don’t Worry, He Won’t Get Far on Foot, with the int… Read More
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