New York. “If the promise of canonical film school heartthrobs—among them Marcello Mastroianni, Ugo Tognazzi, and Michel Piccoli—gorging and fucking themselves to death in a provincial villa sets your heart a-racing, close that incognito tab . . .
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[The Daily] NYFF 2017: Hong Sang-soo’s The Day After The Day After is one of two films by Hong Sang-soo screening as part of the New York Film Festival’s Main Slate (the other being On the Beach at Night Alone) and, as Zach Lewis notes at In Review Online, the “initial setup i… Read More
[The Daily] NYFF 2017: Sara Driver’s Boom for Real “One of the most transporting depictions of the Downtown New York scene (in a field crowded with docs, memoirs and fictions—some by artists who weren’t alive at the time), Sara Driver’s Boom for Real: The Late Teenage Years … Read More
[The Daily] NYFF 2017: Greta Gerwig’s Lady Bird Lady Bird screens at the New York Film Festival this evening and tomorrow night, and we begin with Filmmaker’s Scott Macaulay: “Greta Gerwig makes her directorial debut with this controlled, coolly compassionate and autobiog… Read More
[The Daily] NYFF 2017: Todd Haynes’s Wonderstruck “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabar… Read More
[The Daily] NYFF 2017: Claire Denis’s Let the Sunshine In “Claire Denis’s new film, Let the Sun Shine In, about a middle-aged woman’s romantic adventures, refracts personal experience in the form of a modernistic screwball comedy,” writes the New Yorker’s Richard Brody. “Juliette B… Read More
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