
On Sunday afternoon—as part of the Revivals sidebar of
the New York Film Festival, whose fifty-fifth installment is currently in full swing—the Film Society of Lincoln Center will raise the curtain on a new 4K restoration of Kenji Mizoguchi’s . . .
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[The Daily] Books: Kubrick, Pasolini, and More Screenwriter Todd Alcott has a new book out, Kubrick: Five Films: An Analysis, the fourth volume in his series, What Does the Protagonist Want? In a series of nine posts at his site, he walks us through Barry Lyndon (1975), … Read More
On the Channel: Robert Bresson on Cinéastes de notre temps The legendary French director Robert Bresson rattles off a string of his artistic axioms in this excerpt from his episode in Cinéastes de notre temps.
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[The Daily] Checking in on Film Criticism Before looking back on the highlights of his 2017 in an entry for Filmmaker, Vadim Rizov has a note or two on attending the recent New York Film Critics Circle awards dinner: The very concept of a critics’ award ceremony is … Read More
[The Daily] Lists: Offenses, Moments, and More Before we take another look back at the best (and today, the worst) of 2017, let’s note that, for Grasshopper Film, Radu Jude (Aferim!, Scarred Hearts) has listed, in chronological order, his eleven favorite films of the pas… Read More
Deep Dive: Elem Klimov’s Boundary-Pushing Satires The director of the war masterpiece Come and See got his start lampooning social conformity in 1960s Soviet life. Two of his early-career gems are now available on the Criterion Channel on FilmStruck.
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