
This month, two captivating masterworks make their way to the United Kingdom in their Criterion editions:
Lord of the Flies, Peter Brook’s provocative 1963 tale of savage youth, and
The Music Room, Satyajit Ray’s radiant 1958 portrait of a . . .
Read More
Related Posts:
[The Daily] Sundance 2018: Gustav Möller’s The Guilty “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebir… Read More
[The Daily] Sundance 2018: Craig William Macneill’s Lizzie “After innumerable plays, books, films, made-for-TV series and specials, and even an opera and a musical, you would think popular culture would have exhausted all the options for telling the story of Lizzie Borden, the New E… Read More
[The Daily] Goings On: Pialat, Lupino, and More New York. There’s a celebration going on at the Quad Cinema through Wednesday, A Journey Through Cinema: Ten Years of the Cohen Media Group. At Screen Slate, Caroline Golum picks out Maurice Pialat’s Loulou (1980) from the p… Read More
[The Daily] Sundance 2018: Sara Colangelo’s The Kindergarten Teacher “Nadiv Lapid’s Hebrew-language The Kindergarten Teacher was one of the more unshakable films of 2015, with its wonderfully inscrutable nature,” begins Jordan Hoffman in the Guardian. “One of the most important things that wr… Read More
[The Daily] Awards: SAG, PGA, and More The twenty-fourth annual Screen Actors Guild Awards were the big televisual event of the weekend, but let’s mention first that Guillermo del Toro’s The Shape of Water “took the top prize at the Producers Guild Awards on Satu… Read More
0 comments:
Post a Comment