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Thursday, 13 July 2017

The Perfect Shots of ‘Get Out’

By H. Perry Horton

Shot by cinematographer Toby Oliver.

On this week’s episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, we’re discussing the most talked-about film of the year so far, Jordan Peele’s Get Out, a social thriller that stunned audiences worldwide and has become the first debut feature by an African-American director to gross north of $100 million. Get Out was shot by cinematographer Toby Oliver, and as does the script, the film’s visual aesthetic borrows from the tropes of horror, comedy, sci-fi, and thrillers, but with unique flourishes that make them all the film’s own.

If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a few shots from a certain film and discuss their effect and significance. Check out our previous episodes:

Be sure to give us a follow so you can be kept up to date on new episodes. We’re on Twitter and Facebook, and you can find your two hosts on Twitter as well: @TheGeoffTodd and @HPerryHorton.

And if you like what you hear — spoiler alert: you’re going to — be sure to subscribe on Apple Podcasts, Stitcher, Tune In, or wherever you get your podcasts so you don’t miss a single episode of us or any of the other shows.

Dig the ‘cast below:

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The article The Perfect Shots of ‘Get Out’ appeared first on Film School Rejects.

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