Shot by cinematographer Toby Oliver.
On this week’s episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, we’re discussing the most talked-about film of the year so far, Jordan Peele’s Get Out, a social thriller that stunned audiences worldwide and has become the first debut feature by an African-American director to gross north of $100 million. Get Out was shot by cinematographer Toby Oliver, and as does the script, the film’s visual aesthetic borrows from the tropes of horror, comedy, sci-fi, and thrillers, but with unique flourishes that make them all the film’s own.
If this is your first listen to our show, the format’s simple: each week Geoff and I each pick a few shots from a certain film and discuss their effect and significance. Check out our previous episodes:
- 2001: A Space Odyssey
- Mad Max: Fury Road
- Silence
- Drive
- Shaun of the Dead
- Vertigo
- Fargo
- The Good, The Bad, and the Ugly
- Mulholland Drive
- Raiders of the Lost Ark
- Road to Perdition
- Do the Right Thing
- Suspiria
- Batman Returns
Be sure to give us a follow so you can be kept up to date on new episodes. We’re on Twitter and Facebook, and you can find your two hosts on Twitter as well: @TheGeoffTodd and @HPerryHorton.
And if you like what you hear — spoiler alert: you’re going to — be sure to subscribe on Apple Podcasts, Stitcher, Tune In, or wherever you get your podcasts so you don’t miss a single episode of us or any of the other shows.
Dig the ‘cast below:
The article The Perfect Shots of ‘Get Out’ appeared first on Film School Rejects.
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