Over on the
Criterion Channel, we kicked the week off with a tribute to the late
Seijun Suzuki, a Japanese New Wave renegade who exploded the conventions of the B movie with his inventive approach to narrative and visual style. Our showcase . . .
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From the Jarmusch Archives Today, we celebrate Jim Jarmusch’s birthday with a look back at some of the writing we’ve published on his films over the years.
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… Read More- [The Daily] Berlinale 2018 Lineup, Round 11 Twenty-three titles have now been set for the Competition of the sixty-eighth Berlin International Film Festival, and the Berlinale’s promising twenty-four. So while we await the mystery title, here are the five that have be… Read More
- [The Daily] Sundance 2018: Debra Granik’s Leave No Trace “The last time Debra Granik had a film at Sundance, it was the masterful Ozark coming-of-age thriller Winter’s Bone, which won Oscar nominations and introduced the world to a certain young actress named Jennifer Lawrence.” B… Read More
- [The Daily] Sundance + Berlin 2018: The Happy Prince “It is a part he was born to play, and he does it with exactly the right kind of poignantly ruined magnificence,” begins the Guardian’s Peter Bradshaw. “Rupert Everett has written, directed and starred in this gripping drama… Read More
- Casting I, Daniel Blake Casting director Kahleen Crawford and screenwriter Paul Laverty, both regular collaborators of Ken Loach’s, outline the unique casting process they’ve developed in lockstep with the director.
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