Rock critic Robert Christgau examines the evocative use of three early Leonard Cohen songs in Robert Altman’s brilliant revisionist western.
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On the Channel: Composing for Cassavetes In a new documentary on FilmStruck, composer and sound recordist Bo Harwood discusses his close collaboration with John Cassavetes and the music he composed for six of his films.
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… Read More- Excavating Queer Histories with Sam Ashby Graphic artist and filmmaker Sam Ashby, whose short The Colour of His Hair is featured on the Criterion Channel this week, speaks with us about a turbulent moment in UK queer history.
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- [The Daily] In the Works: Welles, Larraín, and More “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound wo… Read More
- [The Daily] Books: In a Lonely Place and More For the London Review of Books, Gaby Wood writes about Nicholas Ray’s In a Lonely Place (1950) and the 1947 novel it’s based on by Dorothy B. Hughes. “When filming began, Ray was married to its female lead, Gloria Grahame; b… Read More
- Meet the Filmmakers: Apichatpong Weerasethakul To watch the films of Apichatpong Weerasethakul is to enter a world where memory, dreams, and reality fold into one another. From his audaciously uncategorizable debut feature, Mysterious Object at Noon, and his Palme d’Or–w… Read More
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