
Stanley Kubrick’s 1964 nuclear-thriller satire, featuring an extraordinary ensemble cast (led by Peter Sellers), unmatched comedic dialogue, and tonally perfect visual style, is a cinema masterpiece that gives a black-humored sheen to the . . .
Read More
Related Posts:
Horror Time: Josh and Benny Safdie's Favorite Nightmares Just in time for Halloween, we’re musing on what it is that makes a movie frightening with the help of filmmaking duo Josh and Benny Safdie, the directors behind this year’s celebrated heist thriller Good Time and the subjec… Read More
[The Daily] In the Works: Martel, del Toro, and More This has to be one of the most tentative “in the works” roundups yet. The top three items relate to projects that may never be realized, but they’re certainly intriguing enough to make note of here. Mark Frost, for example, … Read More
[The Daily] Ozu, Melville, and More We begin with a few translations. Asymptote lives up to its own billing as “the premier site for world literature in translation” with the presentation of Adam Kuplowsky’s renderings in English of some observational work by … Read More
This Week on the Criterion Channel In the wake of Christopher Nolan’s war epic Dunkirk, one of the most widely celebrated and commercially successful films of the summer, we’re revisiting the filmmaker’s no-less-inventive low-budget beginnings in this week’s … Read More
[The Daily] Goings On: Hank and Jim and More New York. “It’s an idea so good,” writes Farran Smith Nehme in the Village Voice, “you can’t believe no one did it before: a book about the deep and abiding friendship between Henry Fonda and James Stewart, true legends of H… Read More
0 comments:
Post a Comment