
With
Alice in the Cites, Wim Wenders created one of the most nuanced and complex portraits of an empowered young girl ever seen on-screen.
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[The Daily] Cannes 2017: Roman Polanski’s Based on a True Story “When French writer Delphine le Vigan published her book Based on a True Story in 2015, some critics dubbed it ‘a Hitchcockian novel,’” begins Jonathan Romney, writing for Screen. “It’s not surprising, then, that Roman Polan… Read More
[The Daily] Issues: Cineaste, LFU, Screen, Reverse Shot Let’s take a quick break from the Cannes Film Festival to make note of a bit of reading we might take into the holiday weekend. There’ll be much more in a roundup to come, but for now, this entry’s will point to a few new is… Read More
Seventy Years of Cannes: Taste of Cherry in 1997 The vast majority of Cannes top-prize recipients have been either European or American, which makes it all the more worthwhile to note those winners that come from historically underrepresented nations. At the 1997 ceremony,… Read More
[The Daily] Cannes 2017: Lynne Ramsay’s You Were Never Really Here “Some filmmakers rust during periods of inactivity,” begins Guy Lodge in Variety. “Lynne Ramsay arches and tenses, lying in wait like an attack dog. And attack she does, though not in all the expected ways, in her astonishin… Read More
[The Daily] Cannes 2017: Directors’ Fortnight Awards The Quinzaine des Réalisateurs, known to most as Directors' Fortnight, a program running parallel to the Cannes Film Festival since 1969, is noncompetitive. Still, a handful of organizations with varying degrees of affiliati… Read More
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