Paris Belongs to Us marked the genesis of Jacques Rivette’s unique filmmaking style—introducing visual and narrative elements that Rivette would build on over the course of his long career.
Read More
Related Posts:
[The Daily] Lynch, Lupino, and More In “Twin Peaks: The Return, or What Isn’t Cinema?,” a four-part essay at Reverse Shot, Nick Pinkerton first stakes out a position. Referring to one of Marcel Duchamp’s most famous pieces, he writes: “For a hundred years now … Read More
[The Daily] Goings On: Venice, Berlin, and More Before looking ahead to some of this week’s highlights city by city, we have some festival news to see to. The Venice International Film Festival has announced that Guillermo del Toro (The Shape of Water) will preside over t… Read More
Guillermo del Toro’s Guide to the Collection Mexican filmmaker Guillermo del Toro shares heartfelt appreciations for eleven of his favorite films in the collection.
Read More
… Read More
10 Things I Learned: Westfront 1918 and Kameradschaft Producer Issa Clubb compiles some interesting facts about two important early sound films by G. W. Pabst.
… Read More
[The Daily] Remembering Jóhannsson, Gavin, Cathey Icelandic composer, musician, and producer Jóhann Jóhannsson is gone too early at the age of forty-eight. “Known for compositions that often blended electronics with classical orchestrations, Jóhannsson credits include the G… Read More
0 comments:
Post a Comment