Julien Duvivier's early sound films offer emotionally rich explorations of life in prewar France.
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[The Daily] NYFF 2017: Projections Back when Projections was still called “Views from the Avant-Garde,” the New York Film Festival described its program as a “yearly touchstone for experimental film.” Now neither of those terms—“avant-garde” and “experimental… Read More- [The Daily] NYFF 2017: Todd Haynes’s Wonderstruck “In just two adaptations,” begins Benedict Seal at Vague Visages, “author Brian Selznick has developed a reputation for inspiring intelligent and magical children’s films. After John Logan adapted The Invention of Hugo Cabar… Read More
- [The Daily] NYFF 2017: Joachim Trier’s Thelma We begin with Angelo Muredda, writing for Cinema Scope: “Joachim Trier makes a sterling if somewhat noncommittal bid for post-horror with Thelma, a slow-burn supernatural thriller about a Norwegian teen (Eili Harboe) who goe… Read More
- [The Daily] NYFF 2017: Hong Sang-soo’s The Day After The Day After is one of two films by Hong Sang-soo screening as part of the New York Film Festival’s Main Slate (the other being On the Beach at Night Alone) and, as Zach Lewis notes at In Review Online, the “initial setup i… Read More
- [The Daily] NYFF 2017: Claire Denis’s Let the Sunshine In “Claire Denis’s new film, Let the Sun Shine In, about a middle-aged woman’s romantic adventures, refracts personal experience in the form of a modernistic screwball comedy,” writes the New Yorker’s Richard Brody. “Juliette B… Read More
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