
By now, anyone who regularly reads about the movie business is well aware of the dismal statistics concerning the representation of women - or more pertinently, the lack thereof - as directors, writers, and just about every other creative capacity in the business. No need to reiterate the actual numbers here; a quick Google search will point you to tons of think pieces offering the details.With that, I submit for your approval The Sisterhood of Night, a film whose main creative forces are two women - director Caryn Waechter and screenwriter Marilyn Fu - as a fine example of the rich and poignant nuances that a strong, authentic, and artistically expressed female-centered perspective can bring to bear on seemingly familiar material. In the case of...
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