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Thursday, 3 December 2020

A Disaster Finds Devastating New Life in Our Pick of the Week

Streaming might be the future, but physical media is still the present. It’s also awesome, depending on the title, the label, and the release, so each week we take a look at the new Blu-rays and DVDs making their way into the world. Welcome to this week in Home Video for December 1st, 2020!

This week’s home video selection includes two HBO series, several 4K upgrades, and more. Check out our picks below.


Pick of the Week

ChernobylChernobyl

What is it? A nuclear disaster unfolds, and the coverup begins.

Why see it? Five parts might seem excessive to some in telling the story of the Chernobyl nuclear disaster, but this HBO miniseries is a masterful exploration of the people and events that led to the tragedy — and that scrambled and suffered in the weeks, months, and years that followed. It’s never less than compelling, and the cast (including Jared Harris and Stellan Skarsgard) deliver powerful portrayals of people caught up in the horror and the lies. It may be set in the 80s in a nation on the other side of the world, but the lessons of a government capable of lying so deceitfully and dangerously to its people is as timely and relevant as ever for all citizens.

[Extras: Featurettes, interviews]


The Best

Beverly Hills CopBeverly Hills Cop [4K UltraHD]

What is it? A Detroit cop heads to Beverly Hills to catch a murderer.

Why see it? Eddie Murphy’s filmography is filled with comedy hits, but for my money this action and laugh-heavy romp remains his best. A sharp script, smart direction from Martin Brest, and several top tier performances from supporting players make for an immensely entertaining movie that holds up across multiple rewatches. Murphy’s at his most natural here — see The Golden Child for him struggling to balance personas — and you buy into his wise-cracking detective delivering both put-downs and shootouts with equal ease. The film’s new 4K upgrade highlights its action and Los Angeles cinematography well.

[Extras: Commentary, deleted scenes, interviews, featurettes]

Coming To AmericaComing to America [4K UltraHD]

What is it? An African prince finds love in New York City.

Why see it? Eddie Murphy’s other huge 80s hit is getting a sequel in the coming months, and in celebration Paramount has reissued the original with a 4K facelift. It looks fine despite some of the makeup being a bit clearer, but the real thrill remains the variety of characters that Murphy and Arsenio Hall bring to life throughout the film. There’s just a fun creativity at play here, and while the romance story is standard stuff the laughs and antics make it a comedy classic.

[Extras: Featurettes, interviews]

Lord Of The RingsThe Lord of the Rings – The Complete Motion Pictures Trilogy [4K UltraHD]

What is it? The best adaptation of J.R.R. Tolkien’s masterwork that we could hope for.

Why see it? Peter Jackson’s adaptations of The Fellowship of the Ring, The Two Towers, and The Return of the King are gold standards for bringing fantasy book series to the big screen. Their extended versions are great for fans, but even the theatrical cuts deliver big with all the adventure, drama, terror, and friendship of Tolkien’s tales. All three films, each available in both versions, are upgraded to 4K here with tremendous results even if some of the CG is already showing its age. The release is devoid of extras, but it’s the films you’re here for and they look crazy great. Now hopefully Jackson can focus his attention on his smaller, earlier, even better genre movies…

[Extras: None]

Perry MasonPerry Mason – Season One

What is it? A private detective fights the system.

Why see it? Erle Stanley Gardner’s Perry Mason is a lawyer firmly entrenched in pop culture, but this new HBO series explores his early days as a private dick with stellar results. Matthew Rhys stars as the title character pushing against the swill of early 30s Los Angeles, and the journey is as twisted as the mystery is twisty. A strong supporting cast including Shea Whigham and Tatiana Maslany help bring the story to life, and it’s a world you can’t help but immerse yourself within despite the violence and grotesque manipulations of its characters. This is fantastic television.

[Extras: Featurettes]

Trading PlacesTrading Places [Paramount Presents]

What is it? Two people switch places and a guy is shtupped by a gorilla.

Why see it? John Landis’ pseudo “body swap” movie remains an all-timer as the comedy is laugh out loud funny at times (and admittedly cringeworthy at other times). Eddie Murphy and Dan Aykroyd swap lives to highly entertaining result, and with Jamie Lee Curtis along for the ride it becomes a fast-moving blend of relationship comedy and double crosses. I still don’t understand the shenanigans at the end (or what Curtis’ character sees in Aykroyd’s), but I don’t need to. It’s funny stuff.

[Extras: Featurettes, deleted scenes]


The Rest

Apache [KL Studio Classics]

What is it? The Apache people see the end coming.

Why see it? Burt Lancaster is a talent with screen presence despite his single tempo acting style, but casting him as a Native American still stands out as poor judgement. Sure, it was the 50s and “red face” was still allowed, but it’s still unavoidably Lancaster in excess makeup for ninety minutes. All of that said, there’s some compelling drama here as it envisions a forced reconciliation between the Native people and their unavoidably new landscape. White men learn to accept them, they learn to accept peace, and a cautious happy ending unfolds. Director Robert Aldrich is a legend and captures some stirring action and stunning landscapes as well.

[Extras: None]

Attack! [KL Studio Classics]

What is it? A cowardly commander risks the lives of his men and himself.

Why see it? The great Robert Aldrich directed more than a few stellar war films, and while this mid 50s effort isn’t up to their level it remains an interesting and well-acted watch. Jack Palance plays a rare protagonist of sorts against the calm authority of Eddie Albert’s commander, and the film becomes a tense battle of wills as danger becomes threat becomes action.

[Extras: None]

The Barbarians [Scorpion Releasing]

What is it? Orphan brothers grow up.

Why see it? Ruggero Deodato directed his share of exploitation films, genre pictures, and utter nonsense, and this R-rated fantasy fits the bill across the board. Designed as a vehicle for the Barbarian Brothers — Peter and David Paul — it’s a Conan-inspired adventure with swordplay, magic, monsters, and boobs. It’s a bit silly early on, but it kicks into even sillier gear once the now adult brothers start “acting” aloud. Still, the landscapes are impressive, the practical creatures are plentiful, and fans of goofy swords and sandals romps will have fun.

[Extras: New HD master, commentary]

Bugs Bunny – 80th Anniversary Collection

What is it? Sixty restored/remastered Bugs Bunny shorts.

Why see it? Bugs Bunny cartoons remain a source of joy, and while they’ve gotten a new lease on life with their arrival on HBO Max it’s good to look back at past classics too. This set collects and restores sixty of the sassy rabbit’s theatrical shorts from 1940 forward, and while there’s some tinkering to the opening credits at times the cartoons themselves remain intact. It’s a fantastic collection, and the new documentary offers some appreciation and insight into the character’s history and pop culture standing. The set is higher priced due to the inclusion of a Funko Pop, though, so if you’re not a fan of the figures you might be better served waiting for the eventual disc-only release.

[Extras: Limited edition Diamond Bugs Bunny Funko Pop, documentary, bonus cartoons]

Continental Divide [KL Studio Classics]

What is it? A big city columnist finds love and adventure in the wilds of nature.

Why see it? The pedigree on this film is impressive and feels well out of place for a John Belushi vehicle, but that was kind of the point. Michael Apted directs, Lawrence Kasdan writes, and Steven Spielberg produces this romantic comedy/drama, and while the results are never mind-blowing the film exists as a solid watch for adults. Belushi does good work as a regular guy, and the romance is given time to build and bloom in realistic ways outside of the plot shenanigans. It’s a good film.

[Extras: Commentary]

D.C. Cab [KL Studio Classics]

What is it? A young man learns the cabbie game from a group of rascals.

Why see it? D.C. Cab was a favorite of mine as a kid/preteen, but as an adult — hell, as a person who respects women — it’s something of a challenge. There are still some laughs here, and the plot’s shift into kidnapping shenanigans continues to feel entertainingly out of place, but a lot of it falls flat now. The cast is eclectic as ever with Gary Busey, Adam Baldwin, Mr. T, Irene Cara, Bill Maher, Jill Schoelen, and more popping up throughout, but this is the definition of a cultural time capsule for both better and worse.

[Extras: Commentary]

The Golden Child [Paramount Presents]

What is it? A private eye (of sorts) is tasked with rescuing a very important child.

Why see it? Look, action comedies are a fantastic genre, but they can’t all be winners. And that includes efforts from talents at the supposed top of the game like Eddie Murphy. He plays a man whose job it is to find missing kids, and when a mystical child is abducted he becomes the chosen one to bring him back. Murphy can’t quite balance his comedic persona with the character’s seriousness, and the script isn’t much of a help. There’s still some fun here, particularly once the supernatural elements rear their head, but it’s no lost gem.

[Extras: Featurettes]

The Hobbit – The Complete Motion Pictures Trilogy [4K UltraHD]

What is it? A tale stretched well past its limits.

Why see it? Hollywood creates magic sometimes, but sometimes their quest for cash gets in the way in epic fashion. After the success of Peter Jackson’s Lord of the Rings trilogy, the studio decided to stretch The Hobbit into three films too. There are some thrilling sequences and impressive effects along the way, but the trilogy suffers greatly from an epic amount of filler and downtime. A single film would have been an all-timer, but spread across three films the magic loses its luster. That said, this new 4K upgrade looks undeniably stunning and fans should add it to their library immediately (unless they’d rather wait for the six-film collection next summer with new special features).

[Extras: None]

Panic [Code Red]

What is it? An experiment creates a monster.

Why see it? Ah, Italian horror from the 80s. The icky creature feature sees a scientist damaged by his own experiment to the point where he’s a gross, pulpy mess with a penchant for the ladies. The police are determined but dumb, the women are frequently naked, and the slow-moving shambler is endlessly difficult to catch. It’s not great and is instead exactly what you’re expecting from this entire description, so yes, it’s good fun.

[Extras: None]

Popeye

What is it? A deformed sailor fights for his woman.

Why see it? The cartoon classic got a feature adaptation from an unlikely source in Robert Altman, but there’s no doubting the commitment to the character and his world here. Robin Williams and Shelley Duvall star as Popeye and his squeeze Olive, and the film captures plenty of antics, gags, and dialogue beats that bring the comic to life. It’s odd — sometimes sweet, sometimes humorous, sometimes action-heavy, but always odd.

[Extras: Featurettes]

The Rental [Scream Factory]

What is it? Two couples spend a deadly weekend in a cabin.

Why see it? There’s no arguing with this cast — Dan Stevens, Alison Brie, Sheila Vand — that director Dave Franco brings together for his debut, but their talents aside the story is a lesser riff on the likes of 13 Cameras and other truly indie horror films. The script is overwritten and delivers wholly unlikable characters whose imminent demises are okay by us leading to an unsatisfying ending. Franco’s direction is fine, but hopefully next time he leaves the writing to someone else.

[Extras: Featurette]

Top Gun [4K UltraHD]

What is it? A brash young Navy pilot proves his worth.

Why see it? Top Gun is an 80s classic and one of Tom Cruise’s many blockbuster hits, but it’s not necessarily a great film. I know, I love director Tony Scott and the supporting cast (Val Kilmer, Kelly McGillis, Meg Ryan, Tom Skerritt, Tim Robbins, Anthony Edwards) too, but the hero here leans a bit too cocky to earn our respect and interest. The flying scenes remain thrilling, though, and they’re where this 4K upgrade truly shines as the action is fast, furious, and sharp.

[Extras: Featurettes, commentary, interviews]


Also out this week:

Blade [4K UltraHD], Bugs Bunny 80th, Crash [Criterion Collection], Crouching Tiger Hidden Dragon [4K UltraHD], LA bounty [Scorpion Releasing], The Night Porter, The Professional [4K UltraHD], Werewolf

Wednesday, 2 December 2020

What’s New to Stream on Hulu for December 2020

Crossing the Streams is our monthly look at all the offerings hitting the big streaming services each month, and this time we’re checking out the new Hulu arrivals for December 2020. This month’s titles include Stanley Kubrick’s final film, the latest season of a beloved comedy series, and more!

Keep reading to see what’s new to Hulu for December 2020!


Hulu Pick of the Month for December 2020

Eyes Wide Shut Cruise

Everyone has their own favorite Christmas movies, but if your tastes lean dangerous, seductive, and endlessly excellent, the odds are good that Eyes Wide Shut (1999) is on your list. Stanley Kubrick’s final film stars Tom Cruise and Nicole Kidman as a couple caught up in… er, family drama and decadent parties? There’s mystery and danger, to be sure, but the core of the film is a mesmerizing dissection of a marriage on the edge. The film is well beyond Cruise’s usual comfort zone, and he proves himself more than up to the daunting task of delivering a man who’s lost control of his own life. It’s also, oddly, Kubrick’s warmest film by a colorfully lit mile.


The Best New Arrival of the Month, Allegedly

Letterkenny

Letterkenny Season 9 premieres on December 26th, and it’s almost guaranteed to be a wickedly funny salve for the year that’s preceded it. The show’s absurdly dry and witty humor goes over some heads, but those of us on its wavelength are treated to deceptively smart banter and endlessly entertaining characters. Good friends, worse enemies, and a small town where nothing much happens are the perfect ingredients for a casual but memorable series to fall in love with (if you haven’t already).


Romance, 2020 Style

Valley Girl

This has been a year, and sometimes it’s only the sweetly familiar beats of a movie romance that works to calm the nerves. If that applies to you, Hulu has two new romances that actually premiered during 2020. First up is Valley Girl (2020), a YA-centric remake of the ’80s “classic,” and while stars Jessica Rothe and Josh Whitehouse aren’t quite Deborah Foreman and Nicolas Cage they’re amiable enough. It’s once again set in the ’80s, but this time it’s in musical form for better or worse delivering some catchy tunes and dance numbers. Endless (2020) received even less press this year, but it actually looks to be the more promising of the two. It’s a supernaturally tinged love story starring Alexandra Shipp and Nicholas Hamilton as a distraught teen holding onto her love for a dead boyfriend trapped in limbo. Open your hearts to love stories no one’s talking about!


Indies You Might Have Missed

She Dies Tomorrow

Amy Seimetz’s latest effort as director, She Dies Tomorrow (2020), hits Hulu on December 4th and brings a world of anxiety and cosmic horror into your life. The film is a beautifully dry and haunting look at an unraveling — of people, of society — and Seimetz infuses it with beauty, humor, and a twist of terror. It’s among my favorites of the year, and like the best films, it’s one that sits with you for weeks and months after. The Little Hours (2017) arrives on December 23rd, and while it’s an entirely different kind of film, it’s once again a movie that plays smartly with tone and genre. Set in a nunnery during the Middle Ages, the comedy stars Alison Brie, Aubrey Plaza, Kate Micucci, Molly Shannon, John C. Reilly, Fred Armisen, Nick Offerman, and Dave Franco, and nearly all of of them are enjoying the anachronistic curse words.


The Complete Hulu List for December 2020

Release Date Title Note
12/1 30 Days of Night (2007)
50 First Dates (2004)
The 6th Day (2000)
About Last Night (1986)
Angels & Demons (2009)
Any Given Sunday (1999)
Black Dynamite (2009)
Body of Evidence (1993)
Cake (2006)
Charlotte's Web (1973)
The Chumscrubber (2005)
The Client (1994)
Cliffhanger (1993)
The Color of Money (1986)
Con Air (1997)
The Da Vinci Code (2006)
Diary Of A Mad Black Woman (2005)
Dominion: Prequel to the Exorcist (2005)
Dr. No (1962)
Dragonball: Evolution (2009)
Euphoria (2018)
Eyes Wide Shut (1999)
The Fifth Element (1997)
Garfield: A Tail of Two Kitties (2006)
Goldeneye (1995)
Goldfinger (1964)
The Hand that Rocks the Cradle (1992)
Hemingway's Garden of Eden (2010)
Here On Earth (1999)
Hot Air (2019)
The Hulk (2003)
The Hurt Locker (2008)
Into the Blue (2005)
The January Man (1989)
The Lord Of The Rings: The Fellowship Of The Ring (2001)
The Lord Of The Rings: The Two Towers (2002)
The Lord Of The Rings: The Return Of The King (2003)
Love Potion No. 9 (1992)
The Mummy: Tomb of The Dragon Emperor (2008)
The November Man (2014)
Our Family Wedding (2009)
Sands of Iwo Jima (1950)
Shrink (2009)
Sleeping with the Enemy (1991)
Southside With You (2016)
The Spy Who Loved Me (1977)
Strategic Air Command (1955)
Sunshine (2007)
True Confessions (1981)
Two Weeks (2006)
Under the Tuscan Sun (2003)
Why Did I Get Married? (2007)
The Young Victoria (2009)
12/4 Brassic: Complete Season 2 — ITV
Deutschland 89: Complete Season 1 — Sundance
The Hardy Boys: Complete Season 1 Hulu Original
My Hero Academia: Complete Season 4 (Dubbed) — Funimation
She Dies Tomorrow (2020)
12/5 Black Ops (2020)
God's Own Country (2017)
It Had To Be You (2015)
Mr. Jones (2020)
Waiting For The Barbarians (2020)
12/6 How To Fake A War (2019)
The Secret Garden (2020)

12/7 Valley Girl (2020)
12/8 The Fairy Princess and the Unicorn (2020)
12/10 Dr. Seuss' The Grinch Musical! — NBC
Out Stealing Horses (2019)
12/11 Madagascar: A Little Wild: Complete Season 2 Hulu Original
Rent-A-Pal (2020)
Spy Cat (2020)
12/12 Endless (2020)
12/15 Dirt Music (2019)
Hitman: Agent 47 (2015)
12/16 Amy Winehouse: A Final Goodbye (2016)
12/18 The Hero (2017)
12/21 NOS4A2: Complete Season 2 — AMC
12/22 You Cannot Kill David Arquette (2020)
12/23 The Little Hours (2017)
Someone Marry Barry (2014)
12/25 Soldiers of Fortune (2012)
12/26 Letterkenny: Complete Season 9 Hulu Original
12/27 American Animals (2018)
12/28 Hope Gap (2020)
Our Idiot Brother (2011)
12/31 Bayou Caviar (2018)
Supervized (2019)

Follow all of our monthly streaming guides.

‘Zodiac’ and Setting the Scene for a Serial Killer

Not many opening scenes master suspense quite like David Fincher’s Zodiac. From the very opening shot, the film promises to tell the chilling story of a serial killer on the prowl. And the pre-title moments that follow lay out the framework perfectly for one of the greatest murder mysteries of the century.

Zodiac opens on the landscape of San Francisco on the Fourth of July. The skyline is unmistakable: this is not only the story of a killer, but it is also a story about San Francisco in the ’60s and ’70s. The shot itself is idyllic: the camera floats in the sky, dazzling fireworks fall in a mist over the city, and upbeat music plays in the background. 

We then move to a slow pan of a neighborhood from a car window. A location that is peaceful, charming, and joyous. These intentionally pleasant shots perfectly set the scene for the forthcoming infiltration and infection of evil.  

Darlene (Ciara Moriarty) picks up Michael (Lee Norris), and the two go for a drive. Things seem to be going well, but when Darlene gets antsy at a burger joint because there are too many people around, it becomes clear that the two have a secret. Darlene is married. So, they decide to go somewhere more private.

Darlene and Michael settle on a deserted dirt road. Almost immediately, the two are terrorized by local kids. Fireworks go off near their car, and the sparks and loud explosive noises sound like gunshots. Although the couple is relieved to discover that they are not really in danger, Fincher is unmistakably foreshadowing the relentless violence to come. 

And, sure enough, a car pulls up behind them shortly after. Darlene and Michael are both unsettled by this ominous new presence. The driver shuts off his lights, pauses for a nail-biting moment or two, and then drives on. For a brief moment, the couple, and the audience, experience a wave of relief. 

But then we hear tires screech in the background. Our hearts drop. He’s coming back. And, sure enough, he appears behind them once again. His bright headlights obscure his face, and then he walks up to the window and kills Darlene and severely injures Michael. The Zodiac Killer then tells the cops what he’s done in clinical detail — this isn’t someone who wants to be caught, but rather someone who wants to taunt those searching for him, just as he taunted the young couple in the car. 

Indeed, what makes Zodiac so great and so terrifying is the very structure exhibited in the first scene. The film follows the true story of inspectors David Toschi (Mark Ruffalo) and William Armstrong (Anthony Edwards) on the hunt for the infamous killer after he sends their police department a slew of ciphers. Also involved in the case are Paul Avery (Robert Downey Jr.), and editorial cartoonist Robert Graysmith (Jake Gyllenhaal). 

Graysmith is our typical underdog character. He is the new kid on the block when the first sign of the Zodiac arrives at his workplace: a cryptogram that reads, “I like killing people because it is so much fun it is more fun than killing wild game in the forrest [sic] because man is the most dangeroue [sic] anamal [sic].” 

Graysmith is completely enamored with the investigation process, and, ultimately, thinks he has what it takes to catch the killer. And, at first, we think he has what it takes, too. But this decades-long cat-and-mouse chase turns Graysmith’s exciting venture into a sad, soul-sucking obsession. He loses his wife, Melanie (Chloe Sevigny), and puts himself deeper and deeper into danger. 

And, at the end of this near-three hour film, nothing is really resolved. Graysmith essentially ends just where he started. A grown-up Michael (Jimmi Simpson) is called in to identify his shooter. Michael points out one suspect. “How sure are you?” asks a detective. “Pretty sure,” he answers. On a scale, his sureness is “at least an eight.” While some people may see this as a conclusion to the epic investigation, it is largely… unsatisfying. This is the Zodiac. Well, maybe it is. Maybe it isn’t. We’ll never really know. That’s definitely not the cathartic ending we were looking for when Graysmith first embarked on his investigation.

But if we look at the opening scene, we see that this was the clear trajectory of Zodiac from the very beginning. Fincher knows this is the best way to tell the story of a killer, following suit of his earlier film Se7en, a cat-and-mouse-style story in which detectives are taunted for sport.

In Zodiac, the killer gets just close enough to scare you and then disappears so that you think you’re safe. And then he comes back once again. Maybe, like Graysmith, you’ll think you’ve got a shot at catching him. But you won’t think that for long.

When is it Fair Use to Show a Trademark in a Film or TV Show?


Welcome to The Queue — your daily distraction of curated video content sourced from across the web. Today, we’re watching a video on the ins and outs of how narrative films and television reproduce known trademarks.


The law—like a snowstorm in spring or Bohemian Rhapsody winning an Oscar for best film editing —can be difficult to understand. Legalese is a verbal maze. Each footnote has its own footnote. And on the whole, for us lay-folk: needling through legal texts can feel alienating, dense, and almost intentionally overcomplicated.

A pity! As many an inquiring mind has surely had their curiosity quashed once they opened up the arcane behemoth known as the Digital Millennium Copyright Act. Or their eager search cut-short by PDFs that have yet to be OCR‘d for term searching.

Thank god, then, for those heroes who can not only suffer through dense legal scriptures but interpret them for us. In snappy twenty-minute video essays, no less!

The explainer video below concisely unpacks something I’ve always wanted to know, namely: how do films and television shows (legally!) depict known trademarks? When is it ok to have a can of Coke in-frame? Can characters wear sweaters emblazoned with the GAP logo?

Is it all product placement? Or is there room for parody and satire? And, most importantly: where do fair use end and the rights of a company begin?

Watch “When Can You Use a Trademark Logo in Your Film? – IQBiTS“:

Who made this?

Filmmaker IQ is a YouTube channel disseminating all manner of film history and know-how. Their videos range from the highly technical (what to do if your greenscreen footage has something green in it) to the opinionated (are superhero movies destroying cinema?). Site-creator and director John P. Hess is our narrator. You can subscribe to Filmmaker IQ on YouTube here. And you can follow them on Twitter here.

More Videos Like This

  • Here’s another sample of Filmmaker IQ’s wonderful work: a film noir styled video about the rise and fall of Hollywood mogul William Fox, the man behind Fox Studios.
  • Want another legally minded Filmmaker IQ video? Say no more: here’s the history and philosophy of copyright law, in under thirty minutes.
  • And while we’re talking about intellectual property law, I’d be remiss not to recommend this two-part saga from Lindsay Ellis about how a fanfic trope wound up in federal court. The subject matter is strange (to put it mildly), but understanding the Omegaverse lawsuit means you are basically a copyright expert. Watch part one here. And part two here.

Tuesday, 1 December 2020

All the Horror You Need to Stream in December 2020

Welcome to Horrorscope, a monthly column keeping horror nerds and initiates up to date on all the genre content coming to and leaving from your favorite streaming services. Here’s a guide to all the essential horror streaming this December:


Well, boils and ghouls, we made it. It’s the end of 2020. And as the days grow shorter and the snow piles higher, it’s going to be more important than ever to keep those spirits up. Luckily for many of us, a good horror flick is as comforting as mulled wine. Served in a skull, preferably.

We’re now entering an incredibly fun stretch of spooks, scares, and spectral encounters. After Halloween, Christmas is far and away the most populous holiday when it comes to seasonally-themed horror fare. Sure, you can watch Child’s Play, Black Christmas, and The Exorcist III whenever you want. But in the December stretch, these ho-ho-horror films slap harder. That’s just a fact.

So, come all ye fearful and hark, for I come bearing gnarly, grotesque gifts. Namely: a series of recommendations on what to prioritize as you plan your December streaming. Make your watchlists and check them twice for a glorious group of candy-red giallos, speedy Alaskan bloodsuckers, a desolate dystopia, and one of the most bananapants films about Santa Claus you’re ever likely to see.

Be sure to peruse the complete list below, calendar in hand, for a full picture of what horror flicks are coming and going from your favorite streaming services this December.


Pick of the Month: Deep Red (1975) and the rest of Shudder’s Holly Gialli Christmas Collection

Deep Red horror streaming in December 2020

Synopsis: During a drunken stroll home, a jazz pianist witnesses the brutal murder of a famous psychic. Finding himself drawn into the mystery of the psychic’s death, he teams up with an intrepid reporter to crack the case while the unseen killer tries to keep them away from the truth.

When you look up “giallo” in the dictionary, the illustrative example is sure to be Deep Red. It’s Dario Argento‘s giallo masterpiece. Through all the twists, turns, and revelations, the film keeps the thrills coming fast with striking visuals, inventive kills, and a stellar Goblin score.

This is a must-watch for giallo initiates and grandmasters of gore alike. Before you dive into the unthinkable butchery of Lucio Fulci’s The New York Ripper or the frantic beauty of Luigi Bazzoni’s The Fifth Chord…you need to pay your respects. Deep Red is the giallo gateway drug that opens doors to even more giallo. And, thanks to its opening flashback (pictured above), we can confidently claim it as a Christmas movie.

The rest of Shudder’s Holly Gialli collection consists of A Blade in the Dark (1983), Black Belly of the Tarantula (1971), The Case of the Bloody Iris (1972), The Corruption of Chris Miller (1973), Death Laid an Egg (1968), The Editor (2014), The Fifth Cord (1971), New York Ripper (1982), The Night Evelyn Came Out of the Grave (1971), The Red Queen Kills Seven Times (1972), Short Night of Glass Dolls (1971), StageFright (1987), Torso (1973), Trauma (1978), Your Vice is a Locked Room (1972), and What Have You Done to Solange? (1972).

Those new additions join these already-streaming titles (including Deep Red): All the Colors of the Dark (1972), The Cat O’Nine Tales (1971), Don’t Torture a Duckling (1972), Knife + Heart (2018), Phenomena (1985), The Strange Vice of Mrs. Wardh (1971), and Tenebrae (1982). 

Available on Shudder December 2nd.

An icy (and underrated!) vampiric tale from the north

Days Of Night

Synopsis: Every year, the isolated town of Barrow, Alaska, is plunged into a month of polar darkness. This year, as the sunlight slips away, a gang of vampires emerges from the shadows to dine out on the townsfolk. Barrow’s only hope for survival is an estranged but wildly determined husband/wife team.

David Slade‘s 30 Days of Night simply does not get enough love. Were the people not ready for a film this ferocious to be so patient and restrained? Did they confuse bleakness for a mean spirit? To think something with this much style could have no substance? This is an eerie, unconventional, feral, and intentionally ugly vampire flick. You know, the kind worth losing your head over! Cold, unforgiving, and positively frigid, 30 Days of Night is one nasty piece of seasonally appropriate survival horror.

Available on Hulu December 1st. Leaving Hulu December 31st.

An achingly relevant eco-dystopian gem that’s much more than its famous twist

Soylent Green

Synopsis: It’s the future and the earth is overpopulated. Everything must be rationed, including the revolutionary pastel food bricks known as “soylent.” (I hear the green kind is the most delicious!) But when an intrepid, sweaty New York police detective stumbles across some shady dealings surrounding the much-needed meal replacement, he feels compelled to go with his gut and investigate.

Sci-fi of the 1970s has a particularly horrific gait to it. Not because it is especially gore-filled, but rather, because it is so arrestingly desolate. It reeks of nihilism and a hopeless resolve that the human race is destined to self-destruct. Which is why, in this horrible year, I firmly believe ’70s sci-fi is the scariest thing you can watch.

In October of last year, the Criterion Channel hosted a marvelous collection of essential ’70s sci-fi. And this December, HBO Max appears to be sneakily resurrecting something similar, with titles like Logan’s Run, No Blade of Grass, Omega Man, THX 1138, and Westworld hitting the service on December 1st. Of the bunch, Soylent Green was the easiest to smuggle into a horror-centric streaming guide. Its final, infamous twist is oppressive and visceral in a way that more than qualifies its cross-genre status.

However, if you’ve long-dismissed this flick because you already know the ending, rest assured; it’s so much more than that. Its real power lies in its uncanny resonances. Least of all the callous reality that the rich and the powerful are more than willing to justify the sacrifice of “disposable” groups in the interest of a perceived greater good. It’s painful and it’s prescient, like all good ’70s sci-fi.

Available on HBO Max December 1st.

Santa’s ding dong merrily on high

Rare Exports

Synopsis: It’s Christmas Eve in the Lapland province of Finland and things are about to get weird. Joulupukki, a Finnish folk figure that inspired modern-day Santa, has been unearthed at an ancient burial mound, and local children are starting to disappear. Young Pietari and his reindeer-hunting father capture Father Christmas and attempt to sell him back to the nefarious corporation who dug him up. But Santa’s butt-naked elves have another plan: to free their master.

Our resident Santa-themed horror scholar, Rob Hunter, put it best: Rare Exports: A Christmas Tale is like a dark, dong-filled Amblin film. Which is to say this gem’s got warmth and spooks in equal measure. Have you really lived until you’ve seen a herd of naked elves running across the tundra? My vote is hell no. Rare Exports is a devilishly strange, silly, and joyfully fresh take on holiday horror. It deserves a spot on any Yuletide syllabus.

Available on ARROW December 1st.

Streamable Horror Incoming This Month

Streaming Service Movie Date
Amazon Prime Anaconda (1997) December 1
Amazon Prime Full Moon High (1981) December 1
Amazon Prime Priest (2011) December 1
ARROW The Bloodhound (2020) December 1
ARROW Rare Exports: A Christmas Tale (2010) December 1
ARROW Bloody Birthday (1981) December 1
ARROW Children of the Corn (1984) December 1
ARROW Doom Asylum (1987) December 1
ARROW The Chill Factor (1993) December 7
ARROW The Deeper You Dig (2019) December 7
ARROW The Wind (1986) December 7
ARROW Trapped Alive (1988) December 1
ARROW Shogun's Joys of Torture (1968) December 7
ARROW The Violent Years (1956) December 11
ARROW Scary Movie (1991) December 11
ARROW Microwave Massacre (1979) December 21
ARROW Lake Michigan Monster (2018) December 21
ARROW The Happiness of the Katakurisis (2001) December 21
ARROW The Stuff (1985) December 21
ARROW Zombie for Sale (2019) December 21
ARROW Return of the Killer Tomatoes (1988) December 21
HBO Max Annabelle: Creation (2017) December 1
HBO Max The Bay (2012) December 1
HBO Max The Crow (1994) December 1
HBO Max The Crow: City Of Angels (1996) December 1
HBO Max The Crow: Wicked Prayer (2005) December 1
HBO Max Final Destination (2000) December 1
HBO Max Final Destination 2 (2003) December 1
HBO Max Final Destination 3 (2006) December 1
HBO Max The Final Destination (2009) December 1
HBO Max The Girl With All The Gifts (2016) December 1
HBO Max Misery (1990) December 1
HBO Max Shaun Of The Dead (2004) December 1
HBO Max Soylent Green (1973) December 1
HBO Max Spawn (1997) December 1
Hulu 30 Days of Night (2007) December 1
Hulu The Mummy: Tomb of The Dragon Emperor (2008) December 1
Netflix U-Turn (2020) December 1
Netflix Incarnate (2016) December 16
Shudder Bram Stoker's Dracula (1992) December 1
Shudder The Lost Boys (1987) December 1
Shudder A Blade in the Dark (1983) December 2
Shudder Black Belly of the Tarantula (1971) December 2
Shudder The Case of the Bloody Iris (1972) December 2
Shudder The Corruption of Chris Miller (1973) December 2
Shudder Death Laid an Egg (1968) December 2
Shudder The Editor (2014) December 2
Shudder The Fifth Cord (1971) December 2
Shudder New York Ripper (1982) December 2
Shudder The Night Evelyn Came Out of the Grave (1971) December 2
Shudder The Red Queen Kills Seven Times (1972) December 2
Shudder Short Night of Glass Dolls (1971) December 2
Shudder StageFright (1987) December 2
Shudder Torso (1973) December 2
Shudder Trauma (1978) December 2
Shudder Your Vice is a Locked Room (1972) December 2
Shudder What Have You Done to Solange? (1972) December 2
Shudder Anything for Jackson (2020) December 3
Shudder Castle Freak (2020) December 3
Shudder Let the Corpses Tan (2017) December 7
Shudder VFW (2019) December 7
Shudder Zombi Child (2019) December 7
Shudder Eli Roth's History of Horror (2020) December 10
Shudder Joe Bob Saves Christmas (2020) December 11, 9pm ET
Shudder A Good Woman is Hard to Find (2019) December 14
Shudder Let Us Prey (2014) December 14
Shudder The Pale Door (2020) December 17
Shudder A Creepshow Holiday Special (2020) December 18
Shudder Luz: The Flower of Evil (2019) December 21
Shudder The Soul Collector (2020) December 21
The Criterion Channel The Extraordinary Life of Rocky (2010) December 1
The Criterion Channel The Reflecting Skin (1990) December 11
The Criterion Channel The Silent Partner (1978) December 15
The Criterion Channel Bell, Book and Candle (1958) December 18
The Criterion Channel I Married a Witch (1942) December 18
The Criterion Channel 20 Million Miles to Earth (1957) December 19
Tubi 28 Weeks Later (2007) December 1
Tubi A Nightmare on Elm Street (1984) December 1
Tubi Anaconda (1997) December 1
Tubi Bent (2018) December 1
Tubi Beyond the Woods (2016) December 1
Tubi Down a Dark Hall (2018) December 1
Tubi Eat Brains Love (2019) December 1
Tubi Hostage (2005) December 1
Tubi Reasonable Doubt (2014) December 1
Tubi Red Riding Hood (2011) December 1

Horror Titles Expiring from Streaming Soon

On Their Way Out: These films have one foot in the grave—bump ‘em to the top of your December 2020 queue while you can!
Streaming Service Movie Date
HBO Max Lights Out (2016) December 10
HBO Max Constantine (2005)
December 31
HBO Max Friday the 13th (2009) December 31
Hulu The Rocky Horror Picture Show: Let’s Do The Time Warp Again (2016) December 8
Hulu 30 Days of Night (2007) December 31
Hulu Dominion: Prequel to the Exorcist (2005) December 31
Hulu House Of 1000 Corpses (2003) December 31
Hulu Interview With the Vampire (1994) December 31
Hulu My Bloody Valentine (1981) December 31
Hulu Sweeney Todd: The Demon Barber Of Fleet Street (2007) December 31
Hulu The Mummy: Tomb of The Dragon Emperor (2008) December 31
Netflix Anaconda (1997) December 1
Netflix Hostage (2005) December 1
Netflix Priest (2011) December 1
Netflix Zodiac (2007) November 1

23 Things We Learned from the ’22 Jump Street’ Commentary

Welcome to Commentary Commentary, where we sit and listen to filmmakers talk about their work, then share the most interesting parts. In this edition, Rob Hunter hungers for a big, hilarious studio comedy and finds one in a rewatch — with commentary — of 22 Jump Street.


Even if 2020 hadn’t been the year it’s been so far, it would stand out for its lack of funny comedies. Sure, there have been some fun movies, but the last big, laugh out loud comedy to hit theaters was Good Boys which opened in August of 2019. It’s true! Anyway, the desire for something heavy on the laughs drove me to a rewatch of 2014’s 22 Jump Street. And guess what? The damn thing is still an absolute rarity of a sequel that holds up against its predecessor.

Both films are new to 4K UltraHD and carry over all of their extras including commentary tracks, so keep reading to see what I heard on the commentary for 22 Jump Street!

22 Jump Street (2014)

Commentators: Phil Lord & Chris Miller (directors), Jonah Hill & Channing Tatum (actors)

1. The filmmakers apparently added a soft cough into the back right channel of the sound mix right before the Sony logo appears on screen. It was in theater prints only, and “then everybody at Sony freaked out about it.” They add that they weren’t allowed to add it to the Blu-ray as it might freak out people watching alone at home.

2. The white parrot broke free of its guideline at 6:41 and actually “attacked” Hill. “That was not acting,” says Hill. “I don’t like birds.”

3. The “cube of ice” joke was originally “block of frozen water,” but no one ever laughed as it was apparently one step too many.

4. The commentary was recorded the day after the film’s Los Angeles premiere, and some of them have hangovers.

5. The initial plan for Mercedes (Jillian Bell) was to “Winklevoss her” and use CG to create an identical twin.

6. Tatum was no fan of being caught up in the first film’s improvised riffing, but he was far more comfortable with it during the sequel.

7. The Doritos product placement at 23:50 is a sly nod to the impending return of Rob Riggle‘s Mr. Walters from the first film. If you recall, he was the villain whose love for Cool Ranch Doritos connected him to the illicit substances.

8. They’re all joking about having filmed the prison scene in a real New Orleans prison, but Hill brings the mood down by recalling how they saw a “woman with no face” there.

9. “I don’t ever need to work with Kurt Russell,” says Tatum, “because I have essentially worked with him.” He’s referring to co-star Wyatt Russell who “looks so much like him when I would stare in his eyes.” Interestingly, Tatum went on to make a cameo appearance in The Hateful Eight, starring Kurt Russell, just one year later.

10. Maya Angelou died two weeks before the film’s release, and they had no time to swap out the reference. They decided it was okay, though, as it’s not disrespectful.

11. They were all floored by Bell’s banter with Hill in the morning scene. The filmmakers note that it was the first time they ever saw Hill on his heels. “It’s like she thinks about what I’m gonna say before I say it and says it better and funnier than I was.”

12. The old guy with the broken ankle trying to pass Hill at 53:08 wasn’t a planned bit. It cuts right before Hill turns to the camera to ask what the hell that was about as he was wondering if the filmmakers were messing around with him. “I’m just gonna stay in the scene and see what happens,” he recalls thinking.

13. They tried to get Cate Blanchett for the end credits sequence as a follow-up to the carte blanche joke, but she was “busy” elsewhere.

14. The chase scene where they’re worried about causing expensive damage was actually hampered by Sony insisting they start trimming costs. The Robotics Lab joke plays into that as the entire gag is CG, but they feel like they messed up with the name as “robotics” doesn’t immediately scream “expensive.”

15. “We melted the end zone,” they say as the goal post explodes into flame. The fire was three times larger than they expected, and it actually damaged the end zone of this field — that had been built after Hurricane Katrina for the local schools to come together and play upon. They obviously paid to restore everything to its former glory.

16. The Spring Break sequence originally included some topless females, but “it turns out boobs are not funny.”

17. The sign for Gringo Pendejo’s was illegal — it’s essentially saying White Motherfuckers — so they had to shoot it and immediately cover it up.

18. They tried to do two things at the film’s premiere — they wanted to drive up in the little football helmet car, and Tatum wanted to drive the Lamborghini past the theater a couple times and rev the engine — but Sony nixed both. “I’m looking at the Sony representative right now.”

19. The initial fight between Hill and Bell was improvised and captured in a single (two camera) take. When she moves in for a kiss you can see Hill almost laugh and look over to Lord & Miller just out of frame at 1:31:09. He looks to them a few more times during the scene, and they’re all loving it.

20. The drunk girl who gets on Tatum’s shoulders during his fight scene against the twin bad guys is Mickey Facchinello. Tatum also carried her around while filming Jupiter Ascending (2015) as she was Mila Kunis’ stunt double.

21. The red handkerchief on Tatum’s hand is the one Richard Grieco wore on the original television show. A scene between the two was cut from the film but is available on the Blu-ray.

22. They regret not having the two kiss at the end of the film after they come out of the ocean.

23. The film originally ended with the pair saying they never wanted to do this again, but test audiences didn’t respond well so they created the multiple variations — medical school, a semester at sea, etc — just a month before the film opened.

Best in Context-Free Commentary

“I saw the dude from Mumford & Sons!”

“[Nick] Offerman has the best face to cut away to.”

“My only movie I think my dad’s actually enjoyed that I’ve been in is this movie.”

“Why is this funny?”

“This could definitely be in Paul Blart, but whatever.”

“Do you remember how hard I fought for pigs?”

“Look how big this dude is here to the left just staring at Jonah’s ass.”

“You do not want to be at Margaritaville at like seven AM in the French Quarter.”

Final Thoughts

A rewatch of 22 Jump Street, even one with the commentary track playing, reveals this to be a modern comedy classic, and the commentary confirms all four talents as funny people even without a script before them. They share anecdotes from the film’s production, talk about how much rum they drank along the way, and reveal a deep respect and appreciation for each other and the rest of the cast and crew. Their love for Jillian Bell is especially entertaining, and they even respect those of us listening to the commentary by talking all the way until the very end of the credits. Now if we could only convince the quartet to get moving on 23 Jump Street

Read more Commentary Commentary from the archives.

What’s New to Stream on Netflix for December 2020

Crossing the Streams is our monthly look at all the offerings hitting the big streaming services each month, and this time we’re checking out the new Netflix arrivals for December 2020. This month’s titles include new films directed by David Fincher and George Clooney, loads of new holiday originals, and more!

Keep reading to see what’s new to Netflix for December 2020!


Netflix Pick of the Month for December 2020

Mank Oldman Netflix December

We’ve already written a couple of different pieces on David Fincher’s Mankour review and a look at its long road to production — and now it’s finally ready to premiere on December 4th. Written by Fincher’s father, the film follows Herman J. Mankiewicz (played by Gary Oldman) as he works on the script for Orson Welles’ Citizen Kane. Drama, comedy, and insight swirl together creating a fascinating and engaging glimpse behind the curtain of artistry and ownership, and while it lacks the murder and death of most Fincher films, it’s no less compelling for it.


Action Movies for Dad

Braven

There are great action movies, and there are bad action movies, but there are very few action movies that dads don’t like. Three films hitting Netflix this month deliver thrills and drama even though far too many critics dismissed them as unworthy. Peppermint (2018) is easily the most controversial of the bunch. It stars Jennifer Garner as a woman who sees her husband and child slaughtered by gang members only to return for vengeance in the weeks that follow. Some people take issue with her being white while the Hispanic gang members aren’t, but your dad won’t care about that.

Quigley Down Under (1990) isn’t controversial in the slightest, but it does star Tom Selleck as an American cowboy finding action in Australia against an evil Alan Rickman. Not everyone can handle Selleck’s TV star power in feature-length form, but your dad can. Finally, Jason Momoa stars as Braven (2018) which arrives on December 17th. It’s a fun direct to video action romp with attractive settings and an angry Momoa, and your dad will enjoy it.


New Movies Released in 2020

Ava

You might find this hard to believe, but some new movies were actually released in 2020, and three of them are hitting Netflix this month. Proceed accordingly. Ava (2020) hits on December 7th and features Jessica Chastain as an assassin — which is probably all the info you need to determine if it’s for you.

It’s unclear who exactly asked for Bobbleheads: The Movie (2020), but if you’ve longed for an animated feature about living bobblehead figures, then prepare to be excited starting December 8th. Speaking of bobbleheads, Pauly Shore is back and starring in Guest House (2020) which opens its doors on December 18th. Like I said, proceed accordingly.


More New Netflix Originals!

The Midnight Sky George Clooney As Dr Augustine Lofthouse

Mank is obviously this month’s highest-profile original hitting Netflix, but it’s not the only one. The next most anticipated is probably the latest from director and star George Clooney: The Midnight Sky (premiering December 23rd). He stars as a scientist trying to stop astronauts from returning to a damaged Earth, and it sounds like some wonderfully bleak and thought-provoking sci-fi.

Chadwick Boseman makes his final film appearance on Netflix with the August Wilson adaptation Ma Rainey’s Black Bottom (arriving December 18th). Viola Davis also stars in the movie in the title role as the “Mother of the Blues,” and both actor and actress are already receiving tons of acclaim and awards buzz — Boseman, who died of cancer in August, is a frontrunner for a posthumous Oscar.

Shonda Rhimes’ production company brings the new series Bridgerton to Netflix starting December 25th, and while I was surprised to discover this, it’s romantic fun and best described as Jane Austen by way of Grey’s Anatomy. It’s alternately sexy, sweet, and entertaining period fun.


The Complete Netflix List for November 2020

Release Date Title Note
12/1 3 Days to Kill (2014)
50 First Dates (2004)
Angela's Christmas Wish Netflix Film
Angels & Demons (2009)
Are You The One: Seasons 1-2
Chef (2014)
The Da Vinci Code (2006)
E.T. the Extra-Terrestrial (1982)
Effie Gray (2014)
Gormiti: Season 1
The Happytime Murders (2018)
The Holiday Movies That Made Us Netflix Original
Ink Master: Seasons 1-2
Jurassic Park (1993)
Jurassic Park III (2001)
Kung Fu Panda 2 (2011)
Little Nicky (2000)
The Lost World: Jurassic Park (1997)
Monster House (2006)
Natalie Palamides: Nate - A One Man Show Netflix Comedy Special
Peppermint (2018)
Quigley Down Under (1990)
Runaway Bride (1999)
Super Wings: Season 3
Stargate SG-1: Seasons 1-10
Transformers Rescue Bots Academy: Season 2
Tyler Perry's Madea's Big Happy Family (2011)
Why Did I Get Married? (2007)
12/2 Alien Worlds Netflix Documentary
Ari Eldjárn: Pardon My Icelandic Netflix Comedy Special
Fierce Netflix Film
Hazel Brugger: Tropical Netflix Comedy Special
12/3 Break Netflix Film
Chico Bon Bon and the Very Berry Holiday Netflix Family
Just Another Christmas (Tudo Bem No Natal Que Vem) Netflix Film
12/4 Bhaag Beanie Bhaag Netflix Original
Big Mouth: Season 4 Netflix Original
Bombay Rose Netflix Film
Captain Underpants Mega Blissmas Netflix Family
Christmas Crossfire (Wir Können Nicht Anders) Netflix Film
The Great British Baking Show: Holidays: Season 3 Netflix Original
Kings of Joburg: Season 1
Leyla Everlasting Netflix Film
Mank Netflix Film
Pokémon Journeys: The Series: Part 3 Netflix Family
Selena: The Series Netflix Original
12/5 Detention Netflix Original
Mighty Express: A Mighty Christmas Netflix Family
12/7 Ava (2020)
Manhunt: Deadly Games
12/8 Bobbleheads The Movie (2020)
Emicida: AmarElo - É Tudo Para Ontem Netflix Documentary
Lovestruck in the City Netflix Original
Mr. Iglesias: Part 3 Netflix Original
Spirit Riding Free: Ride Along Adventure Netflix Family
Super Monsters: Santa’s Super Monster Helpers Netflix Family
Triple 9 (2016)
12/9 Ashley Garcia: Genius in Love: Christmas Netflix Family
The Big Show Show: Christmas Netflix Family
Rose Island (L'Incredibile storia dell'Isola Delle Rose) Netflix Film
The Surgeon's Cut Netflix Documentary
12/10 Alice in Borderland Netflix Original
12/11 Canvas Netflix Film
Giving Voice Netflix Documentary
The Mess You Leave Behind (El desorden que dejas) Netflix Original
The Prom Netflix Film
A Trash Truck Christmas Netflix Family
12/14 A California Christmas Netflix Film
Hilda: Season 2 Netflix Family
Tiny Pretty Things Netflix Original
12/15 Black Ink Crew New York: Seasons 1-2
The Challenge: Seasons 10 and 13
Grizzlies (2020)
The Professor and the Madman (2019)
Pup Academy: Season 2
Song Exploder: Volume 2 Netflix Original
Teen Mom 2: Seasons 1-2
12/16 Anitta: Made In Honorio Netflix Documentary
BREAK IT ALL: The History of Rock in Latin America Netflix Documentary
How To Ruin Christmas: The Wedding Netflix Original
Nocturnal Animals (2016)
The Ripper Netflix Documentary
Run On Netflix Original
Vir Das: Outside In - The Lockdown Special Netflix Original
12/17 Braven (2018)
12/18 Guest House (2020)
Home for Christmas: Season 2 Netflix Original
Jeopardy! Champion Run V
Jeopardy! Champion Run VI
Jeopardy! Teacher's Tournament
Jeopardy! College Championship
Jeopardy! Tournament of Champions
Ma Rainey's Black Bottom Netflix Film
Sweet Home Netflix Original
12/20 Rhys Nicholson Live At The Athenaeum (2019)
12/21 The Con Is On (2018)
12/22 After We Collided (2020)
London Hughes: To Catch a D*ck Netflix Comedy Special
Rhyme Time Town Singalongs Netflix Family
Shaun the Sheep: The Farmer’s Llamas (2020)
Timmy Time: Season 2
12/23 The Midnight Sky Netflix Film
Your Name Engraved Herein Netflix Film
12/25 Bridgerton Netflix Original
12/26 Asphalt Burning (Børning 3) Netflix Film
DNA Netflix Film
Fast & Furious Spy Racers: Season 3: Sahara Netflix Family
Go! Go! Cory Carson: Season 3 Netflix Family
The Magic School Bus Rides Again In the Zone Netflix Family
12/27 Sakho & Mangane: Season 1
12/28 Cops and Robbers Netflix Film
Rango (2011)
12/29 Dare Me: Season 1
12/30 Best Leftovers Ever! Netflix Original
Equinox Netflix Original
Transformers: War For Cybertron Trilogy: Chapter 2: Earthrise Netflix Anime
12/31 Best of Stand-Up 2020 Netflix Comedy Special
Chilling Adventures of Sabrina: Part 4 Netflix Original

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