Time is the Thing: Authority, Control, and the Key Theme of ‘TÁR’

The past has a way of catching up with everyone. Even Lydia Tár.

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23 Things We Learned from Rob Zombie’s ‘House of 1000 Corpses’ Commentary

"House of 1000 Problems."

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4 (Technical) Reasons 3D Movies Aren’t Immersive

If you're not feeling especially "sucked in" to 3D movies, don't worry you're not alone.

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Bad Trip, Good Scene: The Anatomy of a Great Movie Drug Trip Sequence

Grab your water and your trip babysitter, lads, we're going under!

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A Fast and Furious History of Director Cameos

Actor-directors ... director-actors ... what's the difference?

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An Impassioned Case For 2003’s ‘The Haunted Mansion’

Jennifer Tilly as a disembodied head trapped inside a crystal ball? Five stars.

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‘Guy Ritchie’s The Covenant’ Is a Staid, Practical Tale of Honor During Wartime

Honor and debts in need of paying are the focus of this wartime action/drama.

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53 Things We Learned from Rian Johnson’s ‘Glass Onion’ Commentary

"Very proud of myself."

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My Dream is to Die: Why You Should Watch ‘Branded to Kill’

"A killer mustn't be human. He must be tough and cool."

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Vinegar Syndrome Brings an Eclectic Genre Mix Home for April 2023

We take a look at Curse of the Blue Lights, Five Women for the Killer, and Vacations of Terror I & II!

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‘Blindspotting’ Season 2 Is A Creative, Cameo-Filled Vision of Oakland

The ballad of Ashley and Miles continues.

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The Enduring Folk Horror of ‘The Devil and Daniel Webster’

"I'd fight ten thousand devils to save a New Hampshire man."

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‘Wicked, Wicked,’ Polyrhythmic Form, and the Vicious Split-Screen

My god, I'm seeing double.

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Bob Hoskins and John Leguizamo Were Brothers in Bond on ‘Super Mario Bros.’

The actors may have been a little inebriated while filming the most infamous disasterpiece of 1993, but their off-screen bonding only helped make their on-screen relationship feel real.

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How ‘Scream 6’ Broke Away from the Franchise’s Visual Tradition

We chat with cinematographer Brett Jutkiewicz about 'Scream 6,' transforming Montreal into New York City, and why spherical lenses were the only way to go.

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