Related Posts:
‘Plot of Fear’ Draws a Giallo Outside Genre LinesWelcome to The Prime Sublime, a weekly column dedicated to the underseen and underloved films buried beneath page after page of far more popular fare on Amazon’s Prime Video collection. We’re not just cherry-picking obsc… Read More
We Have to Go Back to the ‘Lost’ Episode “Through the Looking Glass”This essay, focused on the Lost episode “Through the Looking Glass,” is part of our series Episodes, a bi-weekly column in which senior contributor Valerie Ettenhofer digs into the singular chapters of television that make th… Read More
‘In My Skin’ Is A Messy But Affecting Coming Of Age StoryHello and welcome to Up Next, a weekly column that gives you the rundown on the latest TV. This week, Liz Baessler takes a look at the BBC Three original series In My Skin, streaming in the US exclusively on Hulu. In My… Read More
A Color Theory Reading of Julie Dash’s ‘Daughters of the Dust’In our new column Kino Color, Luke Hicks chooses a handful of shots from a favorite film in order to draw out the meaning behind certain colors and how they play into both the scene and the film as a whole. For his first entr… Read More
How They Shot the Wrong-Way Car Chase in ‘To Live and Die in L.A.’Welcome to How’d They Do That? — a bi-monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them off. This entry looks into the making of the car chase in To Live and Die in L.A. … Read More
0 comments:
Post a Comment