Saturday, 12 January 2019
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What is a “spiritual sequel”? Basically, it’s any work that seems connected enough to another but isn’t directly linked by characters or an...
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It is time for the most important debate of our lives. Is Netflix really, truly good for cinema? In all honesty, there is no answer to thi...
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We here at Film School Rejects love film festivals of all kinds, but if pressed I’d gleefully admit that genre fests — ones that celebrate ...
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The train has stood the test of time as a storytelling device throughout pretty much all of film history. On screen, locomotion can propel n...
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Kristin here: Flicker Alley continues to bring out an eclectic and unpredictable series of restored films, from French Impressionist class...
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DB here: Wes Anderson is back on our blog. I composed a 2007 entry that tried to trace the stylistic tradition he belongs to (slogani...
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Watchmen (2019), Episode 7. DB here: If we want to understand the craft of filmmaking, we should pay attention to what filmmakers say ab...
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Michel Serrault, like his co-star here, Isabelle Adjani, used to be in everything. As ubiquitous as Depardieu. La cage aux folles might be...
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Booksmart is new to theaters and well worth your time and money. Hopefully in six month’s time it’ll out on Blu-ray with a commentary featu...
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Sunsets have provided a backdrop to some of the most powerful, beautiful, and memorable scenes in movies. The sun sets every single day, wi...
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