
Earlier this year, Jim Jarmusch dug up original footage of Neil Young recording the score for
Dead Man, which we used to create a program on our new release.
Read More
Related Posts:
Repertory Pick: Formalist Akerman at the Cinémathèque Française Three formally daring short works by Chantal Akerman will play in a monthlong retrospective of the director’s work at the Cinémathèque française.
Read More
… Read More
[The Daily] Berlinale 2018 Diary #1 Think of The Grand Budapest Hotel (2014) and pink pastels, purple uniforms, and the occasional splash of red may come to mind, offset by the ochres and faded wood grains of the scenes that frame the main story. Moonrise King… Read More
[The Daily] Fosse, Murnau, and More “The responsibility of being a gay film critic,” writes Michael Koresky, “to borrow a phrase from the great Robin Wood, is to be honest about your responses as an individualized viewer, and to balance questions around identi… Read More
This Week on the Criterion Channel Fifty years after George A. Romero first shocked audiences with his cult sensation Night of the Living Dead, the film joins our collection in a just-released edition, available on Blu-ray and DVD and also streaming on the Cr… Read More
Feminist Forensics in The Silence of the Lambs Critic Maitland McDonagh incisively examines the character of Clarice in Jonathan Demme’s The Silence of the Lambs and how her perspective as a woman informs the way she sees forensic evidence.
Read More
… Read More
0 comments:
Post a Comment