Since its under-the-radar release in 2007, Ronald Bronstein’s directorial debut,
Frownland, has been admired by a generation of young filmmakers for its uncompromising vision, which has earned comparisons to the intense dramas of Mike Leigh and . . .
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[The Daily] Back in a Bit We’re going to be doing a little renovating around here, so this will be the last Daily post for about a week or so. It’ll be worth the wait. You’ll see. In the meantime, let’s have a quick look at the week ahead, then remem… Read More- [The Daily] Varda, Bazin, and More Let’s catch up with the new issue of cléo journal, this one dedicated entirely to the work of Agnès Varda. When the journal launched five years ago, it took its name from Varda’s 1962 classic, Cléo from 5 to 7. “While Varda … Read More
- New UK Releases for April 2018 This month, two sparkling comedies head to the United Kingdom in their Criterion editions: The Awful Truth, Leo McCarey’s 1937 Oscar-winning screwball classic, and Edouard Molinaro’s subversive 1978 farce La Cage aux Folles.… Read More
- [The Daily] Art of the Real 2018 This year’s Art of the Real, the fifth, running from Thursday through May 6 and co-presented by MUBI and the Film Society of Lincoln Center in New York, “offers a survey of the most vital and innovative voices in nonfiction … Read More
- The Sounds of Dead Man Earlier this year, Jim Jarmusch dug up original footage of Neil Young recording the score for Dead Man, which we used to create a program on our new release.
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