Critic, filmmaker, and festival programmer Tony Rayns explains how Kon Ichikawa intermingles modernist and classical styles in his masterpiece
An Actor’s Revenge.
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- [The Daily] In the Works: Welles, Larraín, and More “More than forty-two years after principal photography wrapped on Orson Welles’s The Other Side of the Wind, a ‘locked picture’ is finally in place,” reports Ray Kelly at Wellesnet. “It is being color-corrected with sound wo… Read More
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