“The return of Twin Peaks in 2017 came like a Taser shock to the “golden age of television,” overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of Film . . .
[The Daily] New Film Comment and More
“The return of Twin Peaks in 2017 came like a Taser shock to the “golden age of television,” overturning audience expectations for what Twin Peaks—and TV—could encompass, both in narrative and form,” writes Aliza Ma in the new issue of Film . . .
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