
“Having placed second in Toronto’s People’s Choice Awards, James Franco scored his first big outright win as a director, his
The Disaster Artist scooping Saturday night the
65th San Sebastián Festival’s Golden Shell, the top plaudit at the . . .
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[The Daily] In the Works: Wong, Lee, Denis, and More Just as the weekend began, Variety’s Cynthia Littleton and Daniel Holloway broke the news that Amazon had ordered up a rather remarkable round of new series. Wong Kar-wai will direct Tong Wars, “an hour-long drama written an… Read More
[The Daily] Venice + Toronto 2017: The Third Murder “Hirokazu Kore-eda is best known for intimate family dramas that overseas critics often compare to the work of Yasujiro Ozu (1903-63), the genre’s unquestioned master,” writes Mark Schilling, introducing his interview with t… Read More
[The Daily] Venice + Toronto 2017: John Woo’s Manhunt “Brace yourselves,” warns Leonardo Goi, writing for Cinema Scope: “after the American sojourn that brought the likes of Face/Off and Mission Impossible 2 and a detour into Chinese historical-blockbuster mode with Red Cliff, … Read More
[The Daily] Venice 2017: Kechiche’s Mektoub, My Love This first of two, possibly three, parts was slammed hard on Twitter the moment it premiered in competition in Venice, but, surveying the first wave of reviews, we find that it’s not going to be so easily dismissed outright.… Read More
[The Daily] Toronto 2017: The Death of Stalin “Fear rises like gas from a corpse in Armando Iannucci’s brilliant horror-satire The Death of Stalin,” begins the Guardian’s Peter Bradshaw. “It’s a sulphurous black comedy about the backstairs Kremlin intrigue that followed… Read More
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