
“So,” wrote
Chris Marker in 2003, looking back on his school days, “with scissors, glue and crystal paper, I made a faithful copy of the actual Pathéorama reel. After that, frame by frame, I began to draw a series of poses of my cat (who . . .
Read More
Related Posts:
[The Daily] Hoberman, Rosenbaum, and More Those lists of twenty-five best films of the twenty-first century (so far) keep coming, and J. Hoberman’s now posted his, too. He’s customized the rules somewhat, and we can be glad: “My single ‘best’ film-object”—Christian … Read More
[The Daily] Senses of Cinema 83 and More The new issue of Senses of Cinema opens with a whopping dossier on Budd Boetticher (1916-2001). In his introduction, Dean Brandum notes that “in 1960, at the very moment he seemed destined for A-list status, he walked away f… Read More
Repertory Pick: Lubitsch Takes on the Enemy in Portland This coming Saturday and Monday, Portland’s NW Film Center will screen Ernst Lubitsch’s 1942 screwball masterpiece To Be or Not to Be in 35 mm. Released during the height of World War II, this zinger-filled satire stars Caro… Read More
[The Daily] Interviews: Hitchcock, Coppola, and More The interview of the day, hands down, dates back half a century. Via Movie City News comes word that American Cinematographer has posted Herb A. Lightman’s interview with Alfred Hitchcock, which originally ran in its May 196… Read More
Almost a Love Story: Raimu and Marcel Pagnol The pain of thwarted young love serves as the narrative center of Marcel Pagnol’s The Marseille Trilogy, but in many ways it is the character of César—a father figure who bears witness to the doomed romance between his son, … Read More
0 comments:
Post a Comment