Get ready to binge on twenty-four mesmerizing films by American avant-garde pioneer
Hollis Frampton, whose formally radical works take the spotlight in this week’s Criterion Collection Edition. In the sixties and seventies, Frampton pushed the . . .
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The Old in the New at TIFF 2017 Highlights from this year’s stellar Toronto International Film Festival lineup echoed a handful of classics from our collection.
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… Read More- [The Daily] Mekas, Brakhage, and More For the final issue in print of the Village Voice, Bilge Ebiri talks with Jonas Mekas, “the 94-year-old filmmaker, artist, critic, poet, photographer, cinema owner, and all-around underground impresario who transformed film … Read More
- [The Daily] China Delays Feng Xiaogang’s Youth Last year, I Am Not Madame Bovary premiered at the Toronto International Film Festival, where it won the Special Presentations award from the International Federation of Film Critics (FIPRESCI) and would go on to win the top… Read More
- [The Daily] Pacific Standard Time: LA/LA “During one of the meanest passages in American national politics within living memory,” writes Holland Carter in the New York Times, “we’re getting a huge, historically corrective, morale-raising cultural event, one that la… Read More
- [The Daily] Goings On: Garrel, Hutton, and More New York. From October 12 through 26, the Metrograph will present Philippe Garrel: Part 1, the first half of the most complete retrospective ever to be staged in the U.S. I’m flagging this event early not only because the Ne… Read More
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