In a three-decade career that has ranged from an autobiographical reverie of youthful rebellion (
Cold Water) to a delirious neo-noir (
Demonlover) to a historical crime saga (
Carlos), French filmmaker Olivier Assayas has channeled his gift for . . .
Read More
Related Posts:
A Visit from National Society of Film Critics Cofounder Joe Morgenstern Since its inception more than a half-century ago, the National Society of Film Critics has maintained its reputation for championing idiosyncratic and independent voices during the commercially driven awards season, with pas… Read More- His Girl Friday: The Perfect Remarriage A feast of whip-smart banter and Hollywood charisma, Howard Hawks’s protofeminist take on newsroom politics is the most grown-up of all remarriage comedies.
Read More
… Read More
- On the Channel: Happily Ever After? The glittering surfaces of classic fairy tales often mask undercurrents of emotional torment, spiritual foreboding, and moral transgression. This week, our latest series on the Criterion Channel, Happily Ever After?, showcas… Read More
- Repertory Pick: My Man Godfrey in Baltimore Playing this week at the Charles Theatre, in Baltimore, Maryland, Gregory La Cava’s delightful 1936 romp My Man Godfrey stars the effervescent Carole Lombard as eccentric Manhattan socialite Irene, who decides to hire a man … Read More
- Did You See This? With Alain Resnais’s Muriel, or The Time of Return now streaming on FilmStruck, Leo Robson explores how this radical meditation on memory “invites broader questions about what happens when we return to a movie: Is rewatching… Read More
0 comments:
Post a Comment