
Last week, conductor and composer Timothy Brock led the New York Philharmonic in a live orchestral performance of the score to Charlie Chaplin’s 1931 film
City Lights. The next day, he stopped by Criterion for a visit.
Read More
Related Posts:
[The Daily] Cannes 2017: Sean Baker’s The Florida Project “If you told me you could make a modern Christmas classic largely set outside a doughnut shop on Santa Monica Boulevard, centered on transgender prostitutes and shot on iPhones, I wouldn’t have believed you,” begins Ben Keni… Read More
[The Daily] Cannes 2017: Hong Sangsoo’s The Day After “To premiere one film at Cannes is an honor,” writes Nicolas Rapold in the New York Times. “Being granted two slots in the lineup is a major distinction indeed. But for the prolific South Korean director Hong Sangsoo, the tw… Read More
[The Daily] Cannes 2017: Hong Sangsoo’s Claire’s Camera “For ardent Hong Sangsoo fans, 2017 couldn’t be a more rewarding year,” writes Bradley Warren at the Playlist. “Not just because the South Korean filmmaker has three new films ready—the first, On the Beach at Night Alone, la… Read More
[The Daily] Roger Moore, 1927–2017 “He was the epitome of the suave English gent, quipping sweatlessly in a bespoke three-piece suit, who enjoyed an acting career spanning eight decades,” writes Benjamin Lee for the Guardian. “On Tuesday, Roger Moore’s childr… Read More
Seventy Years of Cannes: Blow-Up in 1967 Continuing my trip through Cannes history, today I’m focusing on one of the most celebrated works of Italian master Michelangelo Antonioni, who became an international sensation partly thanks to the booing and heckling he en… Read More
0 comments:
Post a Comment