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[The Daily] Cannes 2017: Sergei Loznitsa’s A Gentle Creature “Sergei Loznitsa’s documentaries are conceived as silent commentary,” begins Jay Weissberg in Variety. “His rigorously edited, coolly composed shots contain all the information needed for viewers to feel the weight of his ar… Read More
[The Daily] Cannes 2017: Chloé Zhao’s The Rider In Tuesday’s dispatch to the Village Voice from the Cannes Film Festival, Bilge Ebiri wrote about one of the best films he’d seen so far, The Rider, “directed by Chloé Zhao (whom I interviewed). It follows a young rodeo cowb… Read More
On the Channel: Adventures in Moviegoing with Guillermo del Toro In visually daring phantasmagorias like Cronos, The Devil’s Backbone, and Pan’s Labyrinth, Guillermo del Toro transfixes audiences with a unique brand of gothic storytelling that interweaves the personal and the historical. … Read More
[The Daily] Cannes 2017: Makala Tops Critics’ Week Awards Emmanuel Gras’s Makala has won the Grand Prix at this year’s Critics’ Week Awards. “The Sisyphean task of making charcoal in the Congolese countryside and then carrying it in overstuffed bags on an overloaded bicycle to a ci… Read More
[The Daily] Cannes 2017: François Ozon’s Amant Double “After a foray into relatively restrained period filmmaking in the recent, World War I-set Frantz, François Ozon is back to his old tricks—and really, who's complaining?” asks Jon Frosch in the Hollywood Reporter. “Premierin… Read More
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