“The Lady From Shanghai” offers a metaphor for Orson Welles’s plight in Hollywood. Robert Montgomery’s “Ride the Pink Horse” explores a shadowy Mexico.
Friday, 17 April 2015
Subscribe to:
Post Comments (Atom)
Popular Posts
-
What is a “spiritual sequel”? Basically, it’s any work that seems connected enough to another but isn’t directly linked by characters or an...
-
"It's not often you meet someone like that." Universal has debuted a new trailer for an emotional romantic drama titled The ...
-
Welcome to How’d They Do That? — a monthly column that unpacks moments of movie magic and celebrates the technical wizards who pulled them ...
-
In the summer of 1972, following a rough start as a screenwriter in Hollywood, Terrence Malick went into production on his low-budget firs...
-
Bad Moms - Trailer In this new comedy from the writers of The Hangover, Amy has a seemingly perfect life - a great marriage, over-ach...
-
"This is my history. This is my culture. Whatever the situation, we're gonna roll." HBO has released a new trailer for the d...
-
Get in touch to send in cinephile news and discoveries. For daily updates follow us @NotebookMUBI . NEWS First Case, Second Case (1979...
-
Apple’s new streaming service has entered the market with a series built on a heated cultural conversation and celebrity smile. The Morning ...
-
The train has stood the test of time as a storytelling device throughout pretty much all of film history. On screen, locomotion can propel n...
-
DB here: Wes Anderson is back on our blog. I composed a 2007 entry that tried to trace the stylistic tradition he belongs to (slogani...
0 comments:
Post a Comment