
This doesn't bode well. For the second film in a row, David Cronenberg has made a stinker. Yes, there were some bits in Cosmopolis that didn't suck, but it was hardly vintage DC. As I mentioned in my review for that other Robert Pattinson-in-a-limo movie, my biggest disappointment of late isn't that Cronenberg is trying new things (applause!), stepping outside for the last decade or so from his bread-and-butter genre flicks. But I am really not along for the ride with his latest foray into somber, clinical and dreary character pieces. I could go on and on about how Crash's captivating and nihilistic ennui has been replaced of late with a glossy and laconic moping that seems characteristic of this latest phase. As before, I...
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