The new head of Pixar shares his advice for crafting meaningful stories.
Creating some of Pixar’s best films is no easy feat, but Pete Docter has accomplished that and much more. One of the leading men at Pixar since the beginning, he co-wrote Toy Story and Toy Story 2 and later helmed the animated features Up and Inside Out, both of which earned him Academy Awards. He also directed Monster’s Inc., which didn’t win the Oscar but has become an animated classic and beloved childhood favorite for millions since its release.
Docter is very much multitalented, able to write, direct, produce, and animate — he’s even done voice work in his own movies. It’s clear his longevity at the Disney-owned studio lies in his ability to create meaningful stories with memorable characters. He’s an artist who’s not only helped to shape Pixar but has also worked to redefine the ways in which the world views animation, which is something any filmmaker or animator can aspire toward.
Being someone who’s worked his dream job in the industry for more than two decades now, Docter has been giving back to those who hope to follow in his footsteps. Below we’ve gathered some of his best advice to aspiring writers, directors, and animators over the years.
Your First Time Won’t Be Perfect
For newer filmmakers especially, keeping up the patience to redo something and try over and over again to get it right can be frustrating. But at a 2011 fundraiser reported on by the Piedmont Patch Docter noted that reworking a film multiple times is inevitable:
“Dispose of the idea that you’ll get it right the first time, [because animation is a] messy and organic process.”
Pete Docter during the making of ‘Up’ (Pixar)
Practice, Practice, Practice
Like every other art form, filmmaking requires years to master. In an interview with KTCS9 in 2015, Docter suggested a way to hone your craft, which is just to practice doing what you love and you’ll find your way:
“The first thing I’d say is do it right. There are really no excuses. With your iPhone, you can make movies. You know, you can cut stuff on your Mac, and with a relatively small investment of money. You can start making your own stuff. And I always think of it like, you’d never get someone who had never played guitar before and say alright you’re playing a concert. That doesn’t make any sense. Filmmaking is the same way. You just need a lot of practice. The more you do it, the better you get, the more you learn, the more you see.”
Watch the video below for more advice from Docter and the filmmakers of Inside Out.
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