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Tuesday 31 October 2017

[The Daily] Hitch, Hooper, Romero, and More

Psycho10312017_large In the latest entry in Reverse Shot’s symposium on time, Julien Allen proposes that “perhaps the most compelling display of Hitchcock’s bravura in Psycho [1960] occurs during one of its least discussed sequences, in which Norman Bates (Anthony . . .

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