Boyega, Beharie, and Williams Shine in Otherwise Fine ‘892’

Michael K. Williams shines in his final performance in Abi Damaris Corbin's debut feature.

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‘God’s Country’ is The Crème de la Crème of Sundance 2022

"Sometimes it feels like things never change. But I promise you they do. They have to."

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I’m Ready For My Close-Up, Mr. Leone: How a Shot Defined the Western

Sergio Leone put the Western genre under a microscope. Or at the very least, a macro lens.

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‘Am I OK?’ Celebrates Coming of Age at Any Age

Directors Tig Notaro and Stephanie Allynne provide a personal stamp to this warm, giddy tale of female friendship.

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‘Resurrection’ Sends Rebecca Hall Into a Downward Spiral Towards Madness

Think 'Sleeping with the Enemy' but with a quietly grinning Tim Roth pulling all the strings.

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‘Hatching’ Finds Beaks and Blood in the Mother’s Yolk

What came first, the freaky humanoid bird creature or the egg?

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The 50 Best Movies of 2021

The Film School Rejects team watched hundreds of movies in 2021 and enjoyed quite a few. These are the 50 best.

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The Pros and Cons of Analog vs. Digital Audio

Dedicated hardware or everything "in a box"? Here's a look at why this age-old debate is about more than "what sounds better."

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‘Pam & Tommy’ is as Humanizing as It is Entertaining

Hulu’s series about the celebrity sex tape scandal that rocked the '90s mostly forgoes salaciousness in favor of empathy for the couple at its core.

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Why High Resolution Shouldn’t be a Standard in Modern Filmmaking

4K should be a practical and artistic choice ... not a requirement.

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