
In celebration of Jean-Pierre Melville’s centennial year, the Bryn Mawr Film Institute presents one of the director’s most masterful thrillers.
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[The Daily] Sundance 2018: Pozdorovkin’s Our New President We begin with April Wolfe, writing for Film Comment and introducing us to Maxim Pozdorovkin and Our New President, which “tells a thrilling, scary, mind-bending, and often-hilarious story of Russian propaganda’s role in the … Read More
[The Daily] Sundance 2018: Babis Makridis’s Pity “In the near-decade since Dogtooth gnawed its way into viewers’ imaginations,” begins Guy Lodge in Variety, “the words ‘Greek comedy’ have come to mean something nearly as distinct as ‘Greek tragedy’ to arthouse audiences—ju… Read More
[The Daily] Sundance 2018: Bart Layton’s American Animals “American Animals is nothing if not a movie that arrives at some very simple truths in the hardest way possible,” writes IndieWire’s David Ehrlich. “A slick, well-acted, and intensely self-reflexive docudrama from the direct… Read More
This Week on the Criterion Channel A pair of carnivorous mermaid sisters are drawn ashore to explore life on land in the genre-defying horror-musical mash-up The Lure, now streaming in its complete edition on the Criterion Channel on FilmStruck. Set in an alt… Read More
Flashback: The One and Only Saul Turell On what would have been Saul Turell’s ninety-seventh birthday, Peter Cowie celebrates the man who was the beating heart behind Janus Films.
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