With the scrappiest of means, George A. Romero created not only a landmark of independent cinema but also an indelible portrait of America as hellscape.
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[The Daily] Goings On: SXSW, Serra, and More Let’s start with some festival news, primarily because a big one, SXSW, is opening tomorrow in Austin. Jay Duplass is in the cover of the new issue of the Austin Chronicle, which features a whopping preview package. “Few fil… Read More- [The Daily] Goings On: Malle, Klein, and More As part of The Eyes of William Klein the series running through tomorrow, the Quad presents Louis Malle’s Zazie dans le Métro (1960) tonight, the reason being, as Jon Dieringer points out at Screen Slate, Klein was “given th… Read More
- Repertory Pick: A Late-Career Truffaut in Winston-Salem This weekend, Winston-Salem’s a/perture cinema screens the greatest popular and critical success of François Truffaut’s late career.
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- [The Daily] Film Comment and More Ryan Coogler is on the cover of the new March/April 2018 issue of Film Comment, and Devika Girish writes about how “the mythology of Black Panther is keenly attuned to the present even as it undoes the past: it is a pre-colo… Read More
- This Week on the Criterion Channel A former theater actor fascinated by the power of improvisation, John Cassavetes made an indelible mark on American independent cinema, bringing to the screen a visionary approach to performance and a relentless candor about… Read More
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