For his period epic Barry Lyndon, Stanley Kubrick insisted on shooting primarily with candlelight. Two of his collaborators discuss the challenges presented by this approach and the solutions they arrived at on set.
Multiple Maniacs: Genuine Trash A “celluloid atrocity” overflowing with deviant shenanigans, John Waters’s low-budget satire makes mincemeat of the peace-and-love era.
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On the Channel: Adventures in Moviegoing with Jonathan Lethem Acclaimed author Jonathan Lethem wears his movie love on his sleeve in genre-hopping novels like the noir-inflected Motherless Brooklyn and the darkly satiric Chronic City, which opens with its protagonist paying a visit to …Read More
Anatomy of a Gag: Being There David Cairns takes a close look at the carefully calibrated minimalism of Hal Ashby’s masterful satire.
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The Wide-Eyed Look of Being There A stately satire of modern media consumption and American politics, Hal Ashby’s 1979 film Being There follows the fortunes of a childlike gardener named Chance (Peter Sellers), who becomes an unlikely celebrity of D.C. high …Read More
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