By Jacob Oller
Why it’s bad to ask your actors for an outcome.
Directing is a nuanced profession. You wear a lot of hats (sometimes literally if you’re the 30 Rock parody of the newly-30 baseball-capped bro heading a film set) and must dictate as well as you detail. This can be with lighting, color, set design, casting choices, and yes, the acting in individual takes.
That’s where the different philosophies of direction come in. How do you get your actors to align with your vision? How, for instance, do you get an actress to stop playing a scene so maudlin when you want a bit of rueful comedy? Hoping to answer this, Travis Lee Ratcliff’s video essay strings together films about filmmaking into a brief lesson on directing actors.
He highlights result direction, a specific way some ask their actors to achieve a particular effect, among other strategies in a guide as simple as it is quick. There’s a bit more psychology at play when dealing with actors than you might immediately think, and Ratcliff finds that connection effectively with his juxtaposition of academia and ego.
The article The Pitfalls of Result Direction appeared first on Film School Rejects.
Related Posts:
Short of the Day: ‘PANACEE’ Trips the Whale FantasticBy H. Perry Horton
Just watch it, you’ll see what I mean.
Built more on trippy visuals than what you might consider a coherent narrative, animator Jules Boulain-Adenis’ PANACEE is a fantastical exploration of new worlds, the … Read More
The Romance Conundrum in Recovery FilmsBy Sheryl Oh
If they have to include a love story, they need to get it right.
There are two new movies dealing with anorexia out on digital platforms this week, their proximity likely a coincidence on the part of their distri… Read More
Exclusive! The Wild and Violent ’68 Kill’ Gets a Stylish New PosterBy Rob Hunter
Check out an exclusive new poster for the energetically deranged 68 Kill!
68 Kill is a movie about love, the pursuit of happiness, and the various types and degrees of violence that can be inflicted towards a hu… Read More
The Perfect Shots of ‘John Wick’By H. Perry Horton
The cinematography of a modern classic.
This week’s episode of Shot by Shot, the official cinematography podcast of One Perfect Shot and Film School Rejects, is all about John Wick, the groundbreaking Keanu… Read More
To Build a Great Villain, Start With One of These 13 MotivationsBy Ciara Wardlow
Featuring a convenient guide of villain motives to help you Build-Your-Own Bad Guy. Twirly mustaches, prominent cheekbones, long-haired cats, and other accessories not included.
If you saw a movie last weeken… Read More
0 comments:
Post a Comment