Nothing’s worse than lazy titles. Minimalist titles, maximalist titles – anything’s better than someone slapping some semi-opaque words down over the first scene of the movie or TV show.
With a formal element an audience knows is coming, creators that think outside the box to make their credits artful breathe life into the medium. None was better at this, or more famous at it, than Saul Bass. The graphic designer’s innovations led to a horde of imitators and, as this designation softens as time goes on, disciples.
Essayist Adam Tinius brings up Bass’ influence in context ofFeud: Bette and Joanthen delves into some history sure to please any typography geek or film scholar.
What’s New to Stream on Amazon Prime for August 2019Amazon Prime is the only streaming service with a cost that also gets you free shipping, and that my friends is a deal. They’re in the Original programming game, but their biggest offering remains the ton of films available t…Read More
We Should Be Talking More About ‘GLOW’There’s a point, if you’re lucky, when the show you’ve been watching for awhile flips–often in a moment, as if on a switch–from enjoyable television to should-be-classic television. You might have liked it or even loved it be…Read More
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What’s New to Stream on Amazon Prime for August 2019
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