“Stylish swagger goes full-tilt boogie in
Let the Corpses Tan (
Laissez bronzer les cadavres), the latest delirious exercise in lovingly retro pastiche from Brussels-based writer-directors Hélène Cattet and Bruno Forzani,” begins
Neil Young in . . .
Read More
Related Posts:
[The Daily] In the Works: Haneke, Haynes, and More We begin with the series today, because Michael Haneke has just signed on to direct his first one, Kelvin’s Book. Deadline’s Nellie Andreeva tells us that the “English language, ten-part, high concept series is set in a dyst… Read More- [The Daily] Goings On: Akerman, Everson, and More New York. The Metrograph’s “essential series Tell Me: Women Filmmakers, Women’s Stories gets its title from a 1980 documentary by Chantal Akerman called Dis-Moi, which is one of the earliest filmed works of oral history abou… Read More
- [The Daily] Awards: London Critics and More This weekend was about the Grammys, of course, but it wasn’t all about the Grammys. As Guy Lodge reports for Variety, Martin McDonagh’s Three Billboards Outside Ebbing, Missouri “may be proving the most critically divisive o… Read More
- [The Daily] Books: Robeson, Welles, and More “It is an altogether extraordinary life, the stuff of epic,” writes Simon Callow, having just taken us from milestone to milestone in the first fifteen paragraphs of an outstanding piece for the New York Review of Books. “An… Read More
- Bertrand Tavernier Breaks Down the Social Consciousness of Douce Acclaimed filmmaker Bertrand Tavernier pays loving tribute to Claude Autant-Lara’s diamond-cut romantic tragedy Douce and its radical take on class relations.
Read More
… Read More
0 comments:
Post a Comment