
Kenji Mizoguchi was three decades into his career when he had his international breakthrough with 1952’s
The Life of Oharu, a devastating drama about the plight of women in feudal Japan that heralded an extraordinary run of masterpieces for the . . .
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[The Daily] Sundance 2018: Sara Colangelo’s The Kindergarten Teacher “Nadiv Lapid’s Hebrew-language The Kindergarten Teacher was one of the more unshakable films of 2015, with its wonderfully inscrutable nature,” begins Jordan Hoffman in the Guardian. “One of the most important things that wr… Read More
[The Daily] Awards: SAG, PGA, and More The twenty-fourth annual Screen Actors Guild Awards were the big televisual event of the weekend, but let’s mention first that Guillermo del Toro’s The Shape of Water “took the top prize at the Producers Guild Awards on Satu… Read More
[The Daily] Sundance 2018: Gustav Möller’s The Guilty “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebir… Read More
[The Daily] Sundance 2018: Craig William Macneill’s Lizzie “After innumerable plays, books, films, made-for-TV series and specials, and even an opera and a musical, you would think popular culture would have exhausted all the options for telling the story of Lizzie Borden, the New E… Read More
[The Daily] Sundance 2018: Reinaldo Green’s Monsters and Men “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to … Read More
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