“How on earth is she going to keep this up?” asks
Little White Lies’
David Jenkins. “That’s the question, posed internally, that sprang to mind while watching the gently delightful debut feature
Jeune femme [
Montparnasse Bienvenue]. The ‘she’ . . .
Read More
Related Posts:
[The Daily] Venice + Toronto 2017: Schrader’s First Reformed Paul Schrader’s First Reformed premieres in Competition in Venice before screening in the Masters program in Toronto, and the New Yorker’s Richard Brody finds it to be “a fierce film; Schrader, one of the crucial creators of… Read More- [The Daily] Venice + Toronto 2017: Haigh’s Lean on Pete “British filmmaker Andrew Haigh (Weekend, 45 Years) hits the American highway for this touching, if slightly underwhelming, tale of a troubled boy who strikes up a rapport with an ailing racehorse called Lean on Pete,” begin… Read More
- This Week on the Criterion Channel A brilliant marriage of classic theatrical technique and early-cinema innovation, Marcel Pagnol’s decades-spanning Marseille Trilogy is the featured edition this week on the Criterion Channel on FilmStruck. This exquisitely … Read More
- Repertory Pick: Iconic Brando in Berkeley As part of a Marlon Brando series, the UC Berkeley Art Museum and Pacific Film Archive screens the film that won the actor his first Oscar, Elia Kazan’s On the Waterfront.
Read More
… Read More
- [The Daily] Goings On: Gotta Light? New York. “A film series dedicated to one episode of a television series is—without going overboard—fairly unprecedented,” writes Jeremy Polacek for Hyperallergic, previewing Gotta Light?, the Metrograph series built around … Read More
0 comments:
Post a Comment