
Cinema’s ability to evoke the knotty complexities of time, truth, and subjective experience makes it an ideal medium for exploring memory, a theme that has long been a source of fascination for artists. This week on the Criterion Channel, our . . .
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On the Channel: Ronald Bronstein and Josh Safdie Discuss Frownland A touchstone of contemporary independent cinema since its release in 2007, Frownland makes its debut on the Criterion Channel this week. Here’s an excerpt from a new conversation with director Ronald Bronstein.
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Repertory Pick: A Kitchen-Sink Classic in London A daring portrayal of race, class, and sexuality, Tony Richardson’s A Taste of Honey plays at the British Film Institute in a monthlong tribute to Woodfall Films, one of the pioneers of British social realism.
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[The Daily] Goings On: Gunn, Richardson, and More New York. “Billed as a ‘meta-soap opera,’ Personal Problems is nothing less than an explosion of the television form,” begins Chuck Bowen at Slant. “Directed by Bill Gunn, the two-part, nearly three-hour miniseries was shot … Read More
Playing with Color and Light in Women in Love Cinematographer Billy Williams talks about his experience creating the lush images and expressive lighting in Ken Russell’s boldly stylized adaptation of Women in Love.
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