
In 1997, Tim and Karrie League opened the first Alamo Drafthouse in Austin, Texas, introducing an eclectic slate of programming, live events, and in-theater dining to the city’s flourishing film scene. Since then, the company has expanded into . . .
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[The Daily] Sundance 2018: Bart Layton’s American Animals “American Animals is nothing if not a movie that arrives at some very simple truths in the hardest way possible,” writes IndieWire’s David Ehrlich. “A slick, well-acted, and intensely self-reflexive docudrama from the direct… Read More
[The Daily] Sundance 2018: Gustav Möller’s The Guilty “Filmed entirely within an emergency call center, Danish director Gustav Möller’s The Guilty (Den skyldige) is a claustrophobic thriller that finds fascinating ways to transcend, spiritually, its confines,” begins Bilge Ebir… Read More
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[The Daily] Sundance 2018: Don’t Worry, He Won’t Get Far on Foot “Twenty years ago,” begins Variety’s Peter Debruge, “Robin Williams approached director Gus Van Sant about developing irreverent Portland cartoonist John Callahan’s memoir, Don’t Worry, He Won’t Get Far on Foot, with the int… Read More
[The Daily] Sundance 2018: Reinaldo Green’s Monsters and Men “In a festival that rarely wants for political currency,” writes Justin Chang in a dispatch from Sundance to the Los Angeles Times, “it’s surely no coincidence that Blindspotting and Monsters and Men, the first two films to … Read More
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