
An exhilarating blend of noir and splatter-flick tropes, the Coen brothers’ debut feature established their unique brand of cosmic fatalism.
Read More
Related Posts:
[The Daily] Goings On: Isou, Lloyd, and More New York. Tomorrow, to celebrate the republication of Stan Brakhage’s book Metaphors on Vision (1963), the Metrograph and Light Industry cofounders Ed Halter and Thomas Beard will present a 16 mm print of his 1957 short Dayb… Read More
[The Daily] Remembering Le Guin, Smith, and More Death has been greedy this week, taking not only artists who have left their mark on cinema but others, too, who have made an impact on our culture overall. The week began with the passing on Monday of Ursula K. Le Guin, “th… Read More
[The Daily] Sundance 2018: Josephine Decker’s Madeline's Madeline We turn first to IndieWire’s David Ehrlich: “‘The emotions you are having are not your own, they are someone else’s. You are not the cat—you are inside the cat.’ So begins Josephine Decker’s Madeline’s Madeline, an ecstatica… Read More
This Week on the Criterion Channel Blacklisted director Jules Dassin followed up a pair of American noir classics, The Naked City and Brute Force, with his 1955 Parisian masterpiece, Rififi, now streaming in its full edition on the Criterion Channel on FilmSt… Read More
[The Daily] Sundance 2018 Awards The Sundance Film Festival has presented this year’s round of awards, and on that page you’ll find the descriptions that have tagged along with each title since the day it was announced as part of the lineup. Below, you’ll f… Read More
0 comments:
Post a Comment