
The late 1920s and early 1930s were wonderfully productive years for Jean Renoir and Michel Simon, a simpatico director-actor duo who produced four films together:
Tire au flanc (which gave Simon his first starring role),
On purge bébé, La . . .
Read More
Related Posts:
[The Daily] Cannes 2017: Sergei Loznitsa’s A Gentle Creature “Sergei Loznitsa’s documentaries are conceived as silent commentary,” begins Jay Weissberg in Variety. “His rigorously edited, coolly composed shots contain all the information needed for viewers to feel the weight of his ar… Read More
[The Daily] Cannes 2017: Makala Tops Critics’ Week Awards Emmanuel Gras’s Makala has won the Grand Prix at this year’s Critics’ Week Awards. “The Sisyphean task of making charcoal in the Congolese countryside and then carrying it in overstuffed bags on an overloaded bicycle to a ci… Read More
[The Daily] Cannes 2017: Kiyoshi Kurosawa’s Before We Vanish “Leave it to Kiyoshi Kurosawa, our favorite director of B movies that look like art films (or are they the other way around?), to upturn the nostalgia for American blockbusters of the 1980s,” begins Daniel Kasman in the Note… Read More
[The Daily] Cannes 2017: Chloé Zhao’s The Rider In Tuesday’s dispatch to the Village Voice from the Cannes Film Festival, Bilge Ebiri wrote about one of the best films he’d seen so far, The Rider, “directed by Chloé Zhao (whom I interviewed). It follows a young rodeo cowb… Read More
Repertory Pick: Prime Dylan in Columbia This Saturday night, the Nickelodeon in Columbia, South Carolina, goes inside the world of Bob Dylan with D. A. Pennebaker’s 1967 Dont Look Back, as the film takes over the big screen after an introduction by local singer-so… Read More
0 comments:
Post a Comment