
“It is not an exaggeration to say that before
Primary, documentary as we know it today—the art of candid observation—didn’t exist,” writes Thom Powers.
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[The Daily] Goings On: Garbo, Assayas, and More New York. Neighboring Scenes: New Latin American Cinema opens tonight at the Film Society of Lincoln Center and runs through Sunday. Writing for the Notebook, Ela Bittencourt points out that “a number of films stand out for … Read More
[The Daily] Welles, Maddin, and More “Orson Welles, a boy from Kenosha, Wisconsin, was one of the most audacious Shakespearians who ever lived,” writes Robert Horton. “He recited soliloquies as a child, wrote a book on the plays as a teenager, and at age sevent… Read More
On the Channel: The Darkness of War in Wooden Crosses In a new episode of Observations on Film Art, film-studies scholar Kristin Thompson analyzes the lyrical techniques in Raymond Bernard’s brutal war drama Wooden Crosses.
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Tom Jones: Tomorrow Do Thy Worst Director Tony Richardson refracts the bawdy spirit of the 1960s through this brilliantly distilled take on an eighteenth-century picaresque.
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[The Daily] Cineaste, Godard, and More The new Spring 2018 of Cineaste is out, and online, we find just a few previews of what’s inside, but a whole lot of web exclusives. “The Nixon presidency? Suddenly, it seems almost quaint,” writes Jonathan Kirshner. “But it… Read More
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